ORDER GRANTING DEFENDANTS ART.COM, INC. AND CULTURENIK PUBLISHING, INC.'S MOTION FOR PARTIAL SUMMARY JUDGMENT

Re: Dkt. No. 46

JACQUELINE SCOTT CORLEY, Magistrate Judge.

Plaintiff Pete Livingston contends that Defendants Art.com, Inc. ("Art.com"), Culturenik Publishing, Inc. ("Culturenik"), and Classico San Francisco, Inc. ("Classico") infringed his copyright in a photograph of Marilyn Monroe.1 Plaintiff, Art.com, and Culturenik have all consented to the jurisdiction of the undersigned magistrate judge pursuant to 28 U.S.C. § 636(c). Although Classico has not filed a notice of consent or declination, as a party who has not been served, its consent is not required for jurisdiction. See Hard Drive Prods., Inc. v. Does 1-188, 809 F.Supp.2d 1150, 1155 (N.D. Cal. 2011). Now pending before the Court is Art.com and Culturenik's motion for partial summary judgment as to 1) availability of statutory damages and attorney's fees, and 2) conversion cause of action and claim for punitive damages. After carefully considering the parties' submissions, and having had the benefit of oral argument on June 26, 2014, the Court GRANTS the motion for partial summary judgment.2

SUMMARY JUDGMENT EVIDENCE

Plaintiff purports to own copyrights in photographs taken by his father, Carl Perutz. One of these photographs is a black-and-white photograph of Marilyn Monroe wearing a large hat with a flower ("the Photograph"). Plaintiff registered the photograph with the United States Copyright Office and was issued a Certificate of Registration on August 3, 2004.

In November 1996, Classico entered into an agreement with Jack Allen whereby Allen purported to grant Classico a license to produce and sell certain products using the images contained in a collection of photographs of Marilyn Monroe, titled Marilyn by Moonlight, which included the Photograph. Plaintiff contends that a book by Allen published in 1996 titled Marilyn by Moonlight does not contain the Photograph. The parties dispute whether the collection of photographs obtained by Classico from Allen in 1996 were the same photographs contained in the 1996 book by the same name. From 1996 until 2009, when Classico dissolved as a corporate entity, Classico paid royalties to Allen for Classico's reproduction and sale of the Photograph.

In April 2004, Classico first sold 12 copies of the Photograph to AllPosters.com for resale to AllPosters.com's customers. AllPosters.com sold its first copy of the Photograph to an AllPosters.com customer on May 12, 2004, and continued to make several sales each month. In September 2006, AllPosters.com merged with Art.com, leaving Art.com as the surviving corporation. All assets, liabilities, and obligations of AllPosters.com became assets, liabilities, and obligations of Art.com.

In November 2007, Plaintiff discovered that Art.com was selling the Photograph. He contacted Art.com and demanded that it stop all infringing activities of his Photograph. Art.com informed Plaintiff that the Photograph was obtained through its vendor, Classico, who had obtained it from Allen. Art.com also told Plaintiff that it would cease sales of the Photograph and that it would immediately remove the Photograph images from its website. Plaintiff then contacted Classico and Allen and demanded that they cease their infringing activities. Allen apologized, withdrew the photograph from Classico, and offered to make restitution payments to Plaintiff.

From these interactions, Plaintiff believed that the parties had stopped their allegedly infringing use of the Photograph. Sales records, however, show that Art.com continued to sell the Photograph after November 2007. Classico also continued the complained-of activity after November 2007 and until it ceased to exist in 2009.

Approximately five years after Plaintiff's first discovery of the infringement, Plaintiff discovered that Culturenik was actively selling reproductions of the Photograph for postcards, magnets, posters, and prints. Earlier, in February 2009, Culturenik purchased certain assets of Classico, including Classico's complete inventory of products as well as Classico's trademarks, copyrights, and all rights under existing licenses and other agreements. Following this purchase, Culturenik continued the business of Classico in selling reproductions of the Photograph to Art.com and paying royalties to Allen.

LEGAL STANDARD

Summary judgment is appropriate "if the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to judgment as a matter of law." Fed. R. Civ. P. 56(c). "A moving party without the ultimate burden of persuasion at trial—usually, but not always, a defendant—has both the initial burden of production and the ultimate burden of persuasion on a motion for summary judgment." Nissan Fire & Marine Ins. Co., Ltd. v. Fritz Cos., Inc., 210 F.3d 1099, 1102 (9th Cir. 2000). "[T]he moving party must either produce evidence negating an essential element of the nonmoving party's claim or defense or show that the nonmoving party does not have enough evidence of an essential element to carry its ultimate burden of persuasion at trial ... and persuade the court that there is no genuine issue of material fact." Id.

If the "moving party carries its burden of production, the nonmoving party must produce evidence to support its claim or defense." Id. at 1103. If the nonmoving party fails to do so, "the moving party wins the motion for summary judgment." Id. "But if the nonmoving party produces enough evidence to create a genuine issue of material fact, the nonmoving party defeats the motion." Id. In deciding whether there exist genuine issues of material fact, the court draws all reasonable factual inferences in favor of the non-movant. Anderson v. Liberty Lobby Inc., 477 U.S. 242, 255 (1986).

DISCUSSION

Under 17 U.S.C. § 504(a) and (c), a copyright owner may elect to recover statutory damages instead of actual damages and any additional profits. The Copyright Act, however, requires that copyright registration is a prerequisite to recovering certain remedies for infringement. Specifically, 17 U.S.C. § 412(2) states that statutory damages and attorney's fees are not available for "any infringement of copyright commenced after first publication of the work and before the effective date of its registration, unless such registration is made within three months after the first publication of the work." Section 412 "is designed to implement two fundamental purposes. First, by denying an award of statutory damages and attorney's fees where infringement takes place before registration, Congress sought to provide copyright owners with an incentive to register their copyrights promptly. Second, § 412 encourages potential infringers to check the Copyright Office's database." Derek Andrew, Inc. v. Poof Apparel Corp., 528 F.3d 696, 700 (9th Cir. 2008) (citations omitted). In keeping with Congress' intent to promote the early registration of copyrights, the Ninth Circuit has held that "the first act of infringement in a series of ongoing infringements of the same kind marks the commencement of one continuing infringement under § 412." Id. at 701.

The central question for disposition of this motion is whether Art.com's and Culturenik's infringing activities3 after registration are connected for purposes of Section 412 with "a series of ongoing infringements of the same kind" that commenced prior to Plaintiff's registration. Id. at 700. The Court concludes that such a connection exists as a matter of law.

A. There is No Dispute as to Pre-Registration Infringement

As an initial matter, the Court concludes that there is no dispute of material fact as to whether Classico's, AllPosters.com's, and Allen's infringements began prior to registration. The record shows that Classico—Allen's licensee—first sold copies of the Photograph to AllPosters.com, Art.com's predecessor-in-interest, in April 2004, which was approximately four months before Plaintiff registered the Photograph. The record further shows that AllPosters.com first sold copies of the Photograph to retail customers in May 2004.

Although Plaintiff argues that these pre-registration acts never occurred, Plaintiff has not produced any evidence that creates a genuine dispute of fact. Plaintiff first asserts that Classico's sale to AllPosters.com could not have occurred in April 2004 because those parties did not enter into a supplier's agreement until 2006. Plaintiff argues that the parties' relationship could not have existed in 2004 because "it would mean that a dominant force in the art world recklessly entered into a vendor relationship without a vendor agreement." (Dkt. No. 53 at 13.) Despite Plaintiff's baseless speculation, the undisputed evidence shows that Classico sold the Photograph to AllPosters.com in April 2004. (See Dkt. No. 46-7, April 2004 Sales Invoice.) No reasonable jury could find that the April 2004 sales record was false simply because there was no formal supplier's agreement between the parties at the time of sale.

Plaintiff also argues that Classico's and AllPosters.com's pre-registration sales must be fabricated because Defendants have falsely recounted how Classico licensed the Photograph from Allen. Specifically, Plaintiff challenges Defendants' evidence that, in November 1996, Classico entered into an agreement with Allen whereby Allen purported to grant Classico a license to produce and sell certain products using the images contained in a collection of photographs of Marilyn Monroe, titled Marilyn by Moonlight, which included the Photograph. Plaintiff asserts that the Marilyn by Moonlight collection licensed to Classico could not have included the Photograph because a book by Allen published in 1996 titled Marilyn by Moonlight does not contain the Photograph. Plaintiff insists—though produces no evidence—that the book and the collection, if not the same thing, both contain the exact same photographs. However, as Defendants contend, how Classico obtained the Photograph from Allen is not material to the disposition of this motion. That is, such a dispute does not change the undisputed fact that in April 2004 Classico sold the Photograph to AllPosters.com, which then sold the Photograph to retail customers the next month. Further, Plaintiff's attempt to use this immaterial dispute to bootstrap an actually material dispute—i.e., pre-registration sales—is unpersuasive. No reasonable jury could find that the April and May 2004 sales records were falsified based simply on a finding that Allen's Marilyn by Moonlight collection licensed to Classico did not include the Photograph, given that it is undisputed that Allen at some point licensed the Photograph to Classico and sales commenced. In other words, because Plaintiff fails to produce any countervailing evidence of when Allen licensed the Photograph, it would be arbitrary, and thus unreasonable, for a jury to find that the licensing and sales commenced only after registration.

Finally, no reasonable juror could find that AllPosters.com/Art.com's sales records "are likely to be either fabricated or correspond to another image." (Dkt. No. 53 at 12.) Plaintiff's contention is based on the supposed discrepancy between the item numbers for a version of the Photograph listed on Art.com's website in 2007 and the item numbers listed in the sales records. However, as explained in the Supplemental Declaration of Richard Raffino, the supposed discrepancy is merely the result of different websites using different product numbers and selling different products that use the Photograph. For instance, Art.com and AllPosters.com sold the same product, but used a different product number; the number used in the sales record is the product number used by AllPosters.com, not Art.com. Thus, there is no genuine dispute that AllPosters.com first sold the Photograph online in May 2004.

B. Continuous Infringing Conduct

While Allen's, Classico's, and AllPosters.com's first acts of infringement occurred prior to registration, Plaintiff seeks statutory damages from Art.com and Culturenik—entities that did not begin infringing until after registration. The central question, then, is whether Art.com's and Culturenik's post-registration conduct must be connected for purposes of Section 412 with Allen's, Classico's, or Allposters.com's pre-registration infringements; in other words, are the infringements "a series of ongoing infringements of the same kind" that commenced prior to Plaintiff's registration? Derek Andrew, 528 F.3d at 700. This question has two parts: 1) whether, and under what circumstances, Section 412 applies to the infringing conduct of multiple defendants or entities (as opposed to the continuous infringing conduct of a single defendant or entity), and 2) whether Section 412 applies to the conduct of Defendants in this case.

1. Section 412's Application to Multiple Entities

Regarding the first question, which the Ninth Circuit has not addressed, the Court concludes that a series of ongoing infringements under Section 412 may include infringements from multiple entities under some circumstances. In Bouchat v. Bon-Ton Dept. Stores, Inc., 506 F.3d 315, 331 (4th Cir. 2007), the Fourth Circuit held that "a copyright owner may not obtain statutory damages from a licensee liable jointly and severally with a licensor when the licensor's first infringing act occurred before registration and was part of the same line of related infringements that included the licensee's offending act." A jury in an earlier case had found in favor of Bouchat on the issue of infringement and against National Football League Properties, Inc. ("NFLP") for NFLP's use of Bouchat's "Flying B" logo. Bouchat, however, was precluded from seeking statutory damages from NFLP because its infringement commenced before registration.4 In Bouchat's second suit, he sought statutory damages from NFLP's 350 licensees who had reproduced and sold the logo after registration. In holding that the defendants-licensees' offending acts were "part of the same line of related infringement" that included the licensor's initial offending act, the Bouchat court harmonized Section 412 with 17 U.S.C. § 504(c)(1), which allows statutory damages "for all infringements involved in the action ...for which any one infringer is liable individually, or for which any two or more infringers are liable jointly and severally." The court concluded that "[b]ecause [Section 504] does not distinguish between `one infringer ... liable individually' and `two or more infringers ... liable jointly and severally,' we must treat these two categories of infringers identically when assessing their statutory damages liability." Bouchat, 506 F.3d at 330 (citation omitted). Thus, since NFLP was jointly and severally liable for the licensees' infringement, id. ("NFLP gave each licensee permission to copy, so NFLP was also responsible for the licensee's acts of copying, making NFLP jointly and severally liable for the infringing acts of each licensee."), "we must trace the licensee's post-registration infringing conduct back to NFLP's pre-registration conduct and thereby deny statutory damages to Bouchat," id. at 331. The court further stated that neither NFLP's non-party status nor the licensees' non-involvement in the initial infringement "change[d] the analysis." Id. The court reasoned that "[f]ocusing on NFLP's conduct here is entirely logical. Once NFLP designed and licensed the Flying B logo that infringed Bouchat's copyright, the liability of all of NFLP's licensees became a foregone conclusion." Id.

Plaintiff does not challenge the Bouchat court's statutory analysis, which has been adopted by at least two other courts.5 This Court finds Bouchat's analysis persuasive and holds, consistent with Bouchat, that a copyright owner may not obtain statutory damages from a defendant liable jointly and severally with an entity when that entity's first infringing act occurred before registration and was part of the same line of related infringements that included the defendant's offending act.

Plaintiff's argument to the contrary relies on a single case—Mason v. Montgomery Data, Inc., 967 F.2d 135, 144 (5th Cir. 1992)—which stands for the unremarkable proposition that "a plaintiff may not recover an award of statutory damages and attorney's fees for infringements that commenced after registration if the same defendant commenced an infringement of the same work prior to registration." Although Plaintiff seizes on the phrase "same defendant," it does not have the meaning Plaintiff ascribes to it. That is, the Mason court did not hold that the only time a plaintiff is precluded from an award of statutory damages and attorney's fees is when the same defendant commences infringement prior to registration. That question was not before the Mason court as the infringing activity of only a single entity was at issue. Mason is therefore inapplicable to this case.6

2. Section 412's Application to Art.com's and Culturenik's Post-Registration Conduct

Turning to the second part of the question posed above—whether Section 412 applies to the conduct of Defendants in this case—the Court answers in the affirmative as to both Art.com and Culturenik.

The connection between AllPosters.com's and Art.com's infringing conduct is straightforward. As noted above, following its purchase of Art.com, AllPosters.com merged with Art.com in 2006, with Art.com left as the surviving corporation. It is undisputed that Art.com continued AllPosters.com's sales of the Photograph after the merger. Because Art.com and AllPosters.com merged, they are one and the same; thus, Art.com is "one infringer ... liable individually" for its predecessor's (AllPosters.com) infringement.7 17 U.S.C. § 504(c)(1). Because the alleged infringing conduct of AllPosters.com (now Art.com) commenced prior to registration, Section 412 bars Plaintiff from collecting statutory damages and attorney's fees from Art.com. See Derek Andrew, 528 F.3d at 700.

Although the connection between an entity's pre-registration infringement and Culturenik's post-registration infringement is not as direct,8 Bouchat's holding warrants a similar conclusion. As an initial matter, there are two possible connections between Culturenik's conduct and another entity's pre-registration infringement; namely, the connection between Culturenik and Classico only, and the connection between Culturenik and Allen. Although Defendants' briefs focus solely on the former connection, Defendants asserted at the hearing that the latter connection compels application of Section 412 as well.

For purposes of Section 412, the licensor-licensee relationship between Allen and Culturenik is indistinguishable from the licensor-licensee relationship between NFLP and the Bouchat defendants. It is undisputed that Allen gave Culturenik permission to copy, making Allen responsible for its licensee's acts of copying; that is, making Allen jointly and severally liable for Culturenik's infringing acts. See Bouchat, 315 F.3d 330-31 ("NFLP gave each licensee permission to copy, so NFLP was also responsible for the licensee's acts of copying, making NFLP jointly and severally liable for the infringing acts of each licensee."). Because of Allen and Culturenik's joint and several liability through the licensor-licensee relationship, the Court "must trace the licensee's post-registration infringing conduct back to [Allen]'s pre-registration conduct and thereby deny statutory damages [and attorney's fees] to [Plaintiff]." Id. at 331. And as in Bouchat, neither Allen's status as a non-party to this action nor Culturenik's non-involvement in the pre-registration infringement changes the analysis. When Allen licensed the Photograph that infringed Plaintiff's copyright, the liability of Allen's licensees "became a foregone conclusion." Id.

Further, nothing in Bouchat suggests that the analysis changes because Culturenik purchased its license from Classico. Bouchat did not draw distinctions between NFLP's 350 licensees, whose only common characteristic beyond the licensing arrangement with NFLP was their post-registration infringement. If an NFLP licensee had acquired its licensee from a sale from a previous NFLP licensee, Bouchat's holding would still apply because NFLP is still jointly and severally liable for the new licensee's infringing acts. The same is true here. Allen licensed the Photograph to Classico pre-registration, continued such licensing throughout the relevant time period, and merely substituted Culturenik in for Classico as the licensee. Thus, Allen's pre-registration conduct can be connected for purposes of Section 412 with Culturenik's post-registration infringement thereby denying Plaintiff statutory damages and attorney's fees.

The Court, however, is not persuaded that Culturenik's post-registration conduct can be connected to Classico's pre-registration conduct for purposes of Section 412. Defendants' argument endorsing such a connection rests on a broad reading of Bouchat's holding. Defendants assert that "[s]o long as all such defendants were `participant[s]' in the same `line of related copyright violations,' the series of alleged infringements `commenced' within the meaning of Section 412 on `the earliest date of infringement by any participant' in that series." (Dkt. No. 46 at 10 (quoting Bouchat, 506 F.3d at 331).) However, when quoted in its entirety, the holding in Bouchat plainly includes a requirement that the multiple infringing actors be liable jointly and severally. 506 F.3d at 331 ("Thus, we hold that a copyright owner may not obtain statutory damages from a licensee liable jointly and severally with a licensor when the licensor's first infringing act occurred before registration and was part of the same line of related infringements that included the licensee's offending act.") (emphasis added). After all, the existence of joint and several liability in Section 504(c)(1) formed the basis for extending that category of infringers into Section 412.

Defendants, however, make no explicit argument that Classico is jointly and severally liable for Culturenik's infringement. At most, Defendants identify language in the Complaint alleging that "Defendants are agents of one another, and have acted in concerted activity with one another" in committing the alleged infringements (Dkt No. 1 ¶ 29), and conclude, "[t]hus, for purposes of liability, Plaintiff has treated Defendants as `participant[s] in a line of related copyright violations.'" (Dkt. No. 46 at 10 (quoting Bouchat, 506 F.3d at 331).) While Plaintiff's allegations certainly support the conclusion that Defendants "have acted in concerted activity with one another," the Court is unaware of any general rule that holds that Classico's sale of the license in this case makes it liable for Culturenik's later infringement using the license. And while Plaintiff's complaint alleges a claim of contributory infringement against all Defendants, the claim is boilerplate and does not tease out Classico's, or any other defendant's, contributory liability.

Looking beyond Bouchat, Defendants argue that Bouchat's "principle" holds true "even where the infringing parties have no formal licensor-licensee relationship." (Id.) Defendants cite three cases in support: Morgan v. Hawthorne Homes, Inc., 2011 WL 2181385 (W.D. Pa. June 2, 2011); Leonard v. Stemtech Health Scis., Inc., 2011 WL 6046701 (D. Del. Dec. 5, 2011); and Love v. City of New York, 1989 WL 140578 (S.D.N.Y. Nov. 17, 1989). While these cases do support the proposition that Bouchat's holding is not limited to the licensor-licensee context, they do not persuade the Court that pre-registration infringement by one entity can connect to the post-registration infringement of another entity absent joint and several liability (or individual liability) among the entities.

In Morgan, the plaintiff alleged that the infringement of his architectural drawings began in 2001, prior to registration, when defendant Hanna Holdings acquired the drawings. 2011 WL 2181385 at *1. Morgan also contended that Hanna Holdings transferred the drawings to defendant Hawthorne Homes "for the purpose of re-drafting the plans into a computer format and then using the plans to create new homes." Morgan v. Hanna Holdings, Inc., 635 F.Supp.2d 404, 407 (W.D. Pa. 2009). "With these plans, the various subsidiaries of Hanna Holdings ... continued the infringement by using Morgan's plans to construct, market, and sell houses." Morgan, 2011 WL 2181385 at *1. In seeking statutory damages and attorney's fees, Morgan asserted that later post-registration infringement of those drawings by Hanna Holdings' subsidiaries, for which Morgan sought to hold Hanna Holdings and Hawthorne Homes liable on contributory and vicarious liability claims, should not be considered part of a continuing infringement that commenced in 2001. The Morgan court rejected that argument:

Id. at *3 (citation omitted). While it is true that the relationship between Hanna Holdings and its subsidiaries, and Hawthorne Homes and Hanna Holdings' subsidiaries, was not licensor-licensee, as with Bouchat, the defendants' liability for the post-registration infringement was nevertheless joint and several: the defendants were liable for the subsidiary home builders' post-registration use of the plans.

In Leonard, the defendant was Stemtech, a company that manufactured nutrition supplements and sold them through a network of distributors. Stemtech's business included providing marketing materials and internet sites for its distributors. Leonard filed suit against Stemtech after he discovered his copyrighted images on the distributors' websites. Leonard's operative complaint included claims for direct, contributory, and vicarious liability. As the plaintiff in Morgan, Leonard sought statutory damages and argued that

Leonard, 2011 WL 6046701 at *15. The court rejected this argument, concluding that Leonard "cannot have it both ways." Id. That is, Leonard could not center his claims of infringement on Stemtech's pre-registration conduct, and then turn around and assert that Stemtech's pre-registration conduct was irrelevant to the statutory damages inquiry. Again, as in Morgan and Bouchat, the defendant's liability was joint and several. Also as in Bouchat, the post-registration infringement of Stemtech's distributors was a "foregone conclusion" once Stemtech copied the images and provided the infringing marketing materials to its distributors. 506 F.3d at 331.

Finally, the court in Love held that defendant City of New York's post-registration infringement regarding distribution of a manuscript was part of a continuing infringement, which commenced prior to registration when another defendant published the same manuscript, because "it was the same infringement—distribution of [the manuscript]—that commenced before registration, and is no different conceptually from sale of an infringing book by one book store before registration and sale of the same book by another after registration." 1989 WL 140578, at *2. While Love provides the broadest reading of Section 412, with no indication that liability was joint and several, the court's analysis is conclusory and provides no statutory interpretation as in Bouchat. The Court therefore declines to follow Love.

At base, Defendants' assertion that a series of infringements by multiple participants commences under Section 412 when one participant "in the same line of related copyright violations" infringes, is overbroad and taken out of context from the few cases that have examined the issue. The Court concludes that determining whether one participant's infringement is in the same line of related copyright violations as other participants' infringements requires an examination of the participants' liability amongst each other. See Bouchat, 506 F.3d at 330-31. Because Defendants have failed to conduct such an examination regarding Classico and Culturenik's relationship, and since the nature of their liabilities is not readily apparent to the Court, Defendants' attempt to connect Culturenik's post-registration conduct with Classico's pre-registration conduct is unpersuasive for purposes of summary judgment.

C. Plaintiff's Remaining Arguments

Plaintiff asserts that, even if Defendants' infringement was continuous, statutory damages and attorney's fees under Section 412 should nevertheless be awarded because Art.com and Allen told Plaintiff in 2007 that they would cease infringement. Plaintiff argues that such a ruling would be consistent with the policies underlying Section 412—encouraging registration of works and encouraging the checking of the registrations by potential infringers. Plaintiff cites no authority in support of his policy argument regarding notice. And as Defendants assert, an infringer who commences infringement before registration is still protected by Section 412 after registration even though that registration puts him on constructive notice of the copyright. See Teevee Toons, Inc. v. Overture Records, 501 F.Supp.2d 964, 967 (E.D. Mich. 2007) (holding that under Section 412 "[w]hether the alleged infringer has notice, actual or constructive, is irrelevant"). Further, Plaintiff's lament that the Court's holding allows infringement in perpetuity is wrong. A copyright holder may still receive actual damages and may also be entitled to injunctive relief. See 17 U.S.C. § 504(a)(1) (providing actual damages); see also 17 U.S.C. § 502 (providing injunctive relief).

Finally, Plaintiff asserts that it just recently discovered "new" infringements that exist on Defendants' websites. Plaintiff argues that while Defendants no longer offer the image for sale, it is still displayed on the websites and therefore infringing. Nothing, however, supports Plaintiff's bare speculation that the display of these images, which is not alleged in the Complaint, and not in the summary judgment record, is new.

CONCLUSION

For the reasons stated above, Defendants' motion for partial summary judgment is GRANTED. A further Case Management Conference is set for September 4, 2014.

IT IS SO ORDERED.