Filed: Nov. 20, 2012
Latest Update: Feb. 12, 2020
Summary: 11-5259-cv Belair v. MGA Entm’t, Inc. UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT SUMMARY ORDER RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT’S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION “SUMMARY
Summary: 11-5259-cv Belair v. MGA Entm’t, Inc. UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT SUMMARY ORDER RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT’S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION “SUMMARY ..
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11-5259-cv
Belair v. MGA Entm’t, Inc.
UNITED STATES COURT OF APPEALS
FOR THE SECOND CIRCUIT
SUMMARY ORDER
RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A
SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY
FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT’S LOCAL RULE 32.1.1. WHEN
CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE
EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION
“SUMMARY ORDER”). A PARTY CITING A SUMMARY ORDER MUST SERVE A COPY OF IT ON ANY
PARTY NOT REPRESENTED BY COUNSEL.
At a stated term of the United States Court of Appeals for the Second Circuit, held
at the Daniel Patrick Moynihan United States Courthouse, 500 Pearl Street, in the City of
New York, on the 20th day of November, two thousand twelve.
PRESENT: BARRINGTON D. PARKER,
REENA RAGGI,
GERARD E. LYNCH,
Circuit Judges.
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BERNARD BELAIR,
Plaintiff-Appellant,
v. No. 11-5259-cv
MGA ENTERTAINMENT, INC.
Defendant-Appellee,
MATTEL, INC.
Defendant.
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APPEARING FOR APPELLANT: CHRISTOPHER K. HU (Gerard A. Haddad, on
the brief), Dickstein Shapiro LLP, New York,
New York.
APPEARING FOR APPELLEES: JASON D. RUSSELL (Hillary A. Hamilton,
Kenneth A. Plevan, Jordan A. Feirman, on the
brief), Skadden, Arps, Slate, Meagher & Flom
LLP, Los Angeles, California, and New York,
New York.
Appeal from a judgment of the United States District Court for the Southern District
of New York (Shira A. Scheindlin, Judge).
UPON DUE CONSIDERATION, IT IS HEREBY ORDERED, ADJUDGED, AND
DECREED that the judgment entered on November 16, 2011, is AFFIRMED.
Plaintiff Bernard Belair appeals from an award of summary judgment in favor of
defendant MGA Entertainment, Inc., on Belair’s claim that MGA’s Bratz dolls, as well as
the sculpt, or underlying form on which these dolls are based, infringe his copyright in a
photograph featured in an advertisement for Steve Madden shoes (the “Angel/Devil Girls
photograph”). We review an award of summary judgment de novo, and we will affirm only
if the record, viewed in the light most favorable to the nonmoving party, reveals no genuine
issue of material fact. See Fed. R. Civ. P. 56(a); Anderson v. Liberty Lobby, Inc.,
477 U.S.
242, 247–48 (1986); Sudler v. City of New York,
689 F.3d 159, 168 (2d Cir. 2012). In
conducting that review here, we assume the parties’ familiarity with the facts and record of
prior proceedings, which we reference only as necessary to explain our decision to affirm
substantially for the reasons stated by the district court in its opinion. See Belair v. MGA
Entm’t, Inc.,
831 F. Supp. 2d 687 (S.D.N.Y. 2011).
2
To prove copyright infringement, a plaintiff must establish both (1) actual copying and
(2) the illegality of that copying as evident from a substantial similarity between defendant’s
work and the protectible elements of plaintiff’s work. See Peter F. Gaito Architecture LLC
v. Simone Dev. Corp.,
602 F.3d 57, 63 (2d Cir. 2010). Thus, while MGA does not dispute
the first element, Belair cannot rely on that fact alone to defeat summary judgment. See
id.
at 63 (assuming actual copying but nevertheless analyzing whether substantial similarity
existed between parties’ designs); 4-13 Nimmer on Copyright § 13.03[A] (observing that
even where “fact of copying is conceded, no legal consequences will follow from that unless
the copying is substantial”).1 Belair must point to a triable issue of material fact as to the
substantial similarity of his Angel/Devil Girls photograph and MGA’s Bratz dolls to survive
summary judgment.
“The standard test for substantial similarity between two items is whether an ordinary
observer, unless he set out to detect the disparities, would be disposed to overlook them, and
regard [the] aesthetic appeal as the same.” Yurman Design, Inc. v. PAJ, Inc.,
262 F.3d 101,
111 (2d Cir. 2001) (alteration in original; internal quotation marks omitted). When a work
1
Belair relies on two cases for the proposition that, once actual copying is shown,
substantial similarity is always, without more, a question for the trier of fact. Neither case
so holds. Rogers v. Koons held that the plaintiff was entitled to summary judgment after a
showing of actual copying because there was no doubt that the two works were substantially
similar. See
960 F.2d 301, 307 (2d Cir. 1992). Computer Associates International, Inc. v.
Altai, Inc. addressed the relevance of expert testimony to the question of substantial
similarity, not whether a jury trial was appropriate in all cases involving actual copying. See
982 F.2d 693, 713 (2d Cir. 1992).
3
incorporates both unprotected and protected elements, however, courts apply a “more
discerning observer” test, which requires “substantial similarity between those elements, and
only those elements, that provide copyrightability to the allegedly infringed [work].”
Boisson v. Banian, Ltd.,
273 F.3d 262, 272 (2d Cir. 2001) (internal quotation marks omitted).
Whichever test applies, it is “entirely appropriate” for a district court to resolve the question
of substantial similarity as a matter of law. Peter F. Gaito Architecture, LLC v. Simone Dev.
Corp., 602 F.3d at 63–64.
Belair faults the district court’s use of the “more discerning” test rather than the
“ordinary observer” test. We need not conclusively decide which standard should apply
because, even under the ordinary observer test, the record reveals no triable issue of fact as
to substantial similarity. Further, because we need only visually compare the works, rather
than examine issues of credibility, see Salinger v. Colting,
607 F.3d 68, 83 (2d Cir. 2010),
we need not address the parties’ arguments regarding expert testimony.
On our independent comparison of the figures depicted in Belair’s photograph and the
Bratz dolls, we reach the same conclusion as the district court: the images do not convey a
substantially similar aesthetic appeal. It is true that the young women depicted in Belair’s
photograph and the Bratz dolls share exaggerated physical proportions characterized by large
heads, eyes, and lips; small noses and waists; and longer-than-normal limbs. But these
general similarities are outweighed and overshadowed by significant distinctions that
contribute to the different aesthetic appeals of the Angel/Devil Girls photograph and the
4
Bratz dolls. See Durham Indus., Inc. v. Tomy Corp.,
630 F.2d 905, 912 (2d Cir. 1980)
(holding that “general impression of similarity is not sufficient to make out a case of
infringement”); 4-13 Nimmer on Copyright § 13-03 [A][4] (observing that even if “two
works are similar in the layman’s sense of the term,” that is “plainly not enough” to
demonstrate infringement).2 To be sure, “no plagiarist can excuse the wrong by showing
how much of his work he did not pirate.” Sheldon v. Metro-Goldwyn Pictures Corp.,
81 F.2d
49, 56 (2d Cir. 1936) (L. Hand, J.). That, however, is not this case.
Belair’s photograph depicts young women of opposite characters, one a “Devil” and
the other an “Angel.” Bratz dolls portray young women who not only share, but are defined
by, a common characteristic: their “passion for fashion.” J.A. 382. Thus, even though one
Bratz doll wears a shirt with the word “Angel” on it, the image is not substantially similar
in its aesthetic appeal to Belair’s halo-wearing angel. And certainly none of the Bratz dolls
sports horns or a tail, as does Belair’s Devil figure. Nor does the clothing worn by Bratz
dolls mimic that worn by Belair’s figures. To be sure, all these figures wear chunky-heeled
shoes, but such footwear was so generally in vogue at the time Belair’s figures and MGA’s
2
The district court concluded that such exaggerated proportions of women were not
entitled to copyright protection because they flowed naturally and necessarily from the
decision to depict a fashionable figure. See Belair v. MGA Entm’t,
Inc., 831 F. Supp. 2d at
694. In support, it cited Mattel, Inc. v. MGA Entertainment, Inc.,
616 F.3d 904 (9th Cir.
2010), which observed that any expression of “fashion-forward females” would “have to
have” similar exaggerated proportions,
id. at 915. We need not adopt this conclusion
categorically to conclude here that an ordinary observer would nevertheless not perceive
Belair’s photograph and the Bratz dolls to have the same aesthetic appeal.
5
Bratz dolls were being developed as to preclude a finding of substantially similar aesthetic
appeal. See, e.g., J.A. 225–26, 229–31, 234, 237, 247, 251–52, 269.
The figures also have different-looking hair. While the Bratz dolls have long and
tousled hair, the Belair figures have sleek and sculpted hair. And while Bratz dolls all have
large eyes, this is true only of Belair’s Devil figure, not his Angel. Indeed, the contrast
between the dark, smoldering eye makeup on Belair’s Devil and the lack of eye makeup on
his Angel reinforces the message that these are young women of strongly contrasting
characters. By comparison to Belair’s Devil, the Bratz dolls all wear heavy but more colorful
eye and lip makeup, conveying the message that these young women share a common but
non-threatening fashion sensibility. The facial expressions of Belair’s Devil and Angel
figures further contribute to the theme of contrasting types, with the Devil Girl’s expression
suggesting rebellion, while that of the Angel Girl signaling innocence. The facial
expressions of the Bratz dolls, by contrast, are vacuous and inscrutable. Their only aesthetic
appeal derives not from their expressions, but from their heavy makeup and the funky
“fashion” that is their “passion.” This record is not akin to that in Fisher-Price, Inc. v. Well-
Made Toy Manufacturing Corp.,
25 F.3d 119 (2d Cir. 1994), abrogated on other grounds by
Salinger v. Colting,
607 F.3d 68, 77 (2d Cir. 2010), where we identified substantial similarity
in dolls that did “not merely share features that are common to all dolls” but “contain[ed]
virtually identical expressions of those
features.” 25 F.3d at 124.
6
In sum, because the record does not admit a finding of substantial similarity, summary
judgment was properly awarded in favor of defendants. We have considered Belair’s
remaining arguments on appeal and conclude that they are without merit. Accordingly, the
judgment in favor of MGA is AFFIRMED.
FOR THE COURT:
CATHERINE O’HAGAN WOLFE, Clerk of Court
7