UNITED STATES COURT OF APPEALS
                           FOR THE FIFTH CIRCUIT

                          _______________________

                                No. 95-31091
                              Summary Calendar
                          _______________________


                ARTISTS RIGHTS ENFORCEMENT CORPORATION,

                                 Plaintiff-Counter Defendant - Appellee,

                                     versus

                                HUEY P. SMITH,

                                                                      Defendant,

                             MARGRETTE R. JAMES,

                                                         Defendant-Appellant.

_________________________________________________________________

           Appeal from the United States District Court
               for the Middle District of Louisiana
                         (92-CV-1073-A-M2)
_________________________________________________________________
                           June 28, 1996

Before JOLLY, JONES and STEWART, Circuit Judges.

PER CURIAM:*

            Margrette James appeals the decision of the district

court annulling the transfer to her of rights to four songs written

by Huey “Piano” Smith.        Finding no reversible error, we AFFIRM.

                                      FACTS



     *
             Pursuant to Local Rule 47.5, the court has determined that this opinion
should not be published and is not precedent except under the limited circumstances
set forth in Local Rule 47.5.4.
            The facts underlying this appeal have a long and detailed

history.    Huey Smith has been a songwriter for many years.   Four of

his most popular songs were released in the 1950's.      These songs

are: “High Blood Pressure”, “Don’t You Just Know It”, “Rockin’

Pneumonia and Boogey Woogey Flu”, and “Sea Cruise” (“the Songs”).

            In 1982, Artists Rights Enforcement Corporation (AREC)

contacted Smith informing him that AREC had located several sources

from which he was entitled to collect royalties.    AREC offered its

services to collect those royalties. In March 1982, Smith and AREC

entered into an agreement wherein Smith agreed to pay AREC fifty

percent of all sums realized as a result of AREC’s collection

efforts on his behalf.

            AREC then successfully procured royalties belonging to

Smith.     Smith, however, eventually became dissatisfied with the

collection arrangement, and in May 1984, unilaterally terminated

the arrangement with AREC and instructed Cotillion Music, Inc., the

payor of royalties, to pay him directly.    Cotillion Music complied

with Smith’s request, and AREC thereafter did not receive its share

of royalty payments.

            AREC subsequently brought suit seeking payment. In March

1992, the district court found AREC entitled to

     fifty percent (50%) of all songwriter royalties paid, and
     which may become due and payable in the future, from all
     present and future owners and holders of the copyrights
     to the songs entitled “High Blood Pressure”, “Don’t You
     Just Know It”, “Rockin’ Pneumonia and Boogey Woogey Flu”,
     and “Sea Cruise” (“the Songs”), since the last payment of
     songwriter royalties for the Songs to AREC.

                                  2
Artists Rights Enforcement Corp. v. Smith, No. 89-723-A (M.D. La.

March 6, 1992).        In an unpublished opinion, this court affirmed,

finding the terms of the Smith/AREC agreement clear, and that Smith

could not unilaterally terminate the agreement. Artists Rights

Enforcement      Corp.    v.   Smith,    No.    92-3307    (5th     Cir.    1992).

Subsequently, the district court entered a supplemental money

judgment for AREC against Smith for the sum of $233,191.74.

              Prior to the district court’s decision in March 1992, two

significant events occurred.         First, in May 1990, Smith filed for

relief under Chapter 13 of the Bankruptcy Code.1                     Second, on

December 21, 1991, Smith transferred and assigned to James, his

wife, all his rights to the Songs for the sum of $2,000.00.                   As a

result   of     this   transfer,    James   received      payment    of    Smith’s

royalties from Cotillion Music, the owner of the copyrights.

              On December 14, 1992, AREC filed suit against James and

Smith seeking a judgment revoking the transfer and assignment made

by Smith to James.         Smith and James answered the complaint and

asserted counterclaims.          Following trial, for reasons assigned

orally, the district court rendered judgment for AREC annulling the

transfer and dismissing the counterclaims.             James appeals.

                                   DISCUSSION

              Louisiana law provides that creditors are entitled to

annul particular acts of their obligors which cause or increase the


     1
              The bankruptcy proceeding was ultimately dismissed.

                                        3
obligor’s insolvency.        Article 2036 of the Louisiana Civil Code

provides:

      An obligee has a right to annul an act of the obligor, or
      the result of a failure to act of the obligor, made or
      effected after the right of the obligee arose, that
      causes or increases the obligor’s insolvency.

An obligor is determined to be insolvent “when the total of his

liabilities exceeds the total of his fairly appraised assets.” La.

Civ. Code Ann. art. 2037.

            AREC was an obligee of Smith. La. Civ. Code Ann. art.

2036 comment (f)(“An obligee’s claim does not have to be liquidated

to judgment to be considered an anterior debt.”); see also Le

Premier Processors, Inc. v. United States, 

, 907

(E.D. La. 1990)(obligee’s right need not be liquidated at time of

transfer); Thomassie v. Savoie, 

, 1035 (La. Ct. App.

1991)(judgment not required to bar finding that creditor injured);

Le Blanc v. American Employers Ins. Co., 

, 266 (La.

Ct. App. 1978)(creditor as of date of accident, not suit). The

evidence at trial established that the assignment to James caused

or increased Smith’s insolvency. The district court correctly found

that AREC is entitled to annul the transfer from Smith to James.2




      2
            The counterclaim asserted against AREC sought to recover amounts
already received by AREC for its services on behalf of Smith.         This court
previously concluded that pursuant to the Smith/AREC agreement, AREC was entitled
to half the sum realized as a result of its collection activities. Artists
Rights Enforcement Corp. v. Smith, No. 92-3307 (5th Cir. 1992). Res judicata
therefore bars this claim. Matter of Howe, 

, 1143-44 (5th Cir.
1990). The district court properly dismissed the counterclaim.

                                       4
          To the extent e understand James’s other complaints

against the verdict, they are meritless.   She may not collaterally

attack the previous judgment in favor of AREC, and her observation

that Smith attempted to transfer “ownership of copyrights,” not

“right to royalties” seems to state a truism.     That transfer was

properly annulled by the district court. The judgment in this case

is not intended, however, to decide the separate questions raised

by the pending interpleader action in New York.

                           CONCLUSION

          For the foregoing reasons, the judgment of the district

court is AFFIRMED.




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