MALCOLM J. HOWARD, Senior District Judge.
This matter is before the court on defendants' motion for summary judgment and plaintiff Allora LLC's motion for partial summary judgment. Appropriate responses and replies have been filed, and the time for further filings has expired. This matter is ripe for adjudication.
Plaintiffs Donald A. Gardner Architects, Inc. ("Gardner") and Allora, LLC ("Allora") filed this action on December 3, 2008, alleging that defendants Cambridge Builders, Inc. ("Cambridge"), Bryan Vanderpool, and Tommy Dees copied and used plaintiffs' copyrighted home designs either without a license or in excess of the license granted to Cambridge, in violation of the Copyright Act, 17 U.S.C. §§ 101 et seq. Plaintiffs were subsequently allowed to amend their complaint to correct the name of one defendant and to add William C. Dees and Cambridge Builders of Johnston County, Inc. ("CBJC") as defendants to the action. On March 26, 2010, the claims against the individual defendants were dismissed upon the parties' stipulation of dismissal. Presently before the court are defendants' motion for summary judgment and plaintiff Allora's motion for partial summary judgment.
Plaintiffs Gardner and Allora are engaged in the business of creating, designing, producing, distributing, and marketing original architectural working drawings. At all times pertinent to this action, defendants Cambridge and CBJC were residential home design and construction companies in the business of designing, building, and selling homes in the Goldsboro, North Carolina area. Cambridge had been in business for twenty-five years and CBJC had been in business for eight years. Presently both Cambridge and CBJC are out of business following the death of their president.
Defendants constructed multiple structures that plaintiffs contend infringe upon their copyrights in Gardner single-family home designs #265 ("The Hawthorne"), # 286 ("The Tipton"), # 393 ("The Georgetown"), #463 ("The Fairethorne"), and #332 ("The Ingraham"), and an Allora design for a multi-family townhouse ("The Allora Triplex").
Summary judgment is appropriate pursuant to Rule 56 of the Federal Rules of Civil Procedure when no genuine issue of material fact exists and the moving party is entitled to judgment as a matter of law. Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 247, 106 S.Ct. 2505, 91 L.Ed.2d 202 (1986). The party seeking summary judgment bears the initial burden of demonstrating the absence of a genuine issue of material fact. Celotex Corp. v. Catrett, 477 U.S. 317, 325, 106 S.Ct. 2548, 91 L.Ed.2d 265 (1986).
Once the moving party has met its burden, the non-moving party may not rest on the allegations or denials in its pleading, Anderson, 477 U.S. at 248, 106 S.Ct. 2505, but "must come forward with `specific facts showing that there is a genuine issue for trial.'" Matsushita Elec. Indus. Co. v. Zenith Radio Corp., 475 U.S. 574, 587, 106 S.Ct. 1348, 89 L.Ed.2d 538 (1986) (quoting Fed.R.Civ.P. 56(e)). Summary judgment is not a vehicle for the court to resolve disputed factual issues. Faircloth v. United States, 837 F.Supp. 123, 125 (E.D.N.C.
In making this determination, the court must view the inferences drawn from the underlying facts in the light most favorable to the non-moving party. United States v. Diebold, Inc., 369 U.S. 654, 655, 82 S.Ct. 993, 8 L.Ed.2d 176 (1962) (per curiam). Only disputes between the parties over facts that might affect the outcome of the case properly preclude the entry of summary judgment. Anderson, 477 U.S. at 247-48, 106 S.Ct. 2505. Accordingly, the court must examine "both the materiality and the genuineness of the alleged fact issues" in ruling on this motion. Faircloth, 837 F.Supp. at 125.
Copyright protection extends to "original works of authorship fixed in any tangible medium of expression." 17 U.S.C § 102(a). Architectural designs are among those works of authorship protectable by federal copyright law. Id. "[W]hile individual standard features and architectural elements classifiable as ideas or concepts are not themselves copyrightable, an architect's original combination or arrangement of such elements may be." Intervest Constr., Inc. v. Canterbury Estate Homes, Inc., 554 F.3d 914, 919 (11th Cir. 2008).
To prevail on their copyright infringement claim, plaintiffs must establish (1) ownership of a valid copyright in one or more of the home designs at issue; and (2) unauthorized copying by the defendants. See Feist Publ'ns, Inc. v. Rural Tel. Serv. Co., 499 U.S. 340, 345, 111 S.Ct. 1282, 113 L.Ed.2d 358 (1991).
Defendants contend that summary judgment is warranted because plaintiffs are unable to show that they hold a valid copyright in their home plans. Alternatively, defendants maintain that certain claims of alleged infringement are barred by the statute of limitations and that plaintiffs would be entitled only to actual damages sustained as a result of any claims that are not so barred.
In order to meet their burden of proving ownership of a valid copyright, plaintiffs must show their architectural works are original and in compliance with the statutory requirements of the Copyright Act. This burden may be met by presenting copyright registration certificates issued by the United States Copyright Office. Registration creates a presumption as to the validity of a party's copyright. O'Well Novelty Co. v. Offenbacher, Inc., No. 99-1949, 2000 WL 1055108, at *3 (4th Cir.2000). The burden then shifts to the party challenging the copyright to show either that the work was not original or that the copyright registration was invalid. Id.
Defendants do not dispute that plaintiffs have presented certificates of registration for their designs. Rather, they argue that the designs are not original or, alternatively, that the designs are compilations of common, functional elements entitled only to "thin" protection which defendants did not infringe. In support of their motion, defendants present a number of home plans, purportedly obtained from the internet, which they contend are similar in layout to plaintiffs' designs. Defendants assert that the similarity in low-cost, single-floor house plans is "strong evidence that
The standard for originality under copyright law requires that a work be "independently created by the author (as opposed to copied from other works), and that it possess[] at least some minimal degree of creativity." Feist, 499 U.S. at 345, 111 S.Ct. 1282 (citing 1 M. Nimmer & D. Nimmer, Copyright, § 2.01[A], [B] (1990)). "[T]he requisite level of creativity is extremely low; even a slight amount will suffice. The vast majority of works make the grade quite easily, as they possess some creative spark, `no matter how crude, humble or obvious' it might be." Id. at 346, 111 S.Ct. 1282 (quoting 1 M. Nimmer & D. Nimmer, Copyright, § 1.08[C][1] (1990)).
Plaintiffs have produced registration certificates showing that each of the designs has been registered,
Relying on what they contend is "the prevalence of nearly identical designs from numerous [architectural] designers," defendants assert that plaintiffs' designs cannot be original protectable works—they must either be derivatives of other works or compilations of unprotectable ideas and functional elements. (Dfs.' Mem. Supp. Summ. J. at 7.) However, defendants' evidence of "similar" designs by third-party designers fails to establish, as a matter of law, that plaintiffs' designs are either unauthorized derivatives of other works or compilations of unprotectable ideas or functional elements.
Defendants next contend that any acts of alleged infringement that occurred prior to December 3, 2005, are barred by the statute of limitations. The statute applicable to copyright violations bars claims brought more than three years after the claim accrued. 17 U.S.C. § 507(b). In the Fourth Circuit, "[a] cause of action for copyright infringement accrues when one has knowledge of a violation or is chargeable with such knowledge." Hotaling v. Church of Jesus Christ of Latter-Day Saints, 118 F.3d 199, 202 (4th Cir.1997).
Plaintiffs have presented sufficient evidence to withstand summary judgment on this basis. According to the affidavit of Jean Finley, Gardner's copyright specialist, plaintiffs first learned of defendants' allegedly infringing acts in the fall of 2008:
(Finley Decl. dated Mar. 19, 2010 [DE # 59-7] ¶ 2.) This action was filed in December 2008, well within the three-year limitations period. The court, therefore, denies defendants' motion for summary judgment on this ground.
Defendants next contend they are entitled to summary judgment on the issue of damages. Title 17, United States Code, Section 504, provides as follows:
Defendants argue that because plaintiffs are in the business of selling house plans, and not in the business of constructing homes, their "actual damages, if any, can be no more than that revenue Plaintiffs would have received if Defendants had purchased a set of plans for each of the homes constructed." (Dfs.' Mem. Supp. Summ. J. at 20.)
Defendants' argument misses the point. The damages recoverable for copyright violation are not limited to "actual damages." Indeed, both § 504(a) and (b) expressly authorize the recovery of the profits attributable to the infringement in addition to the recovery of the copyright holder's actual damages. See 17 U.S.C. § 504(a) ("actual damages and any additional profits" (emphasis added)), (b) ("actual damages suffered ... and any profits of the infringer" (emphasis added)). The fact that plaintiffs are not in the business of selling homes does not foreclose their right to disgorge defendants of any profits attributable to the infringement of their home plans. See Christopher Phelps & Assocs. v. Galloway, 492 F.3d 532, 539 (4th Cir.2007) (concluding that the court correctly instructed the jury that the plaintiff architectural firm "would be entitled to both actual damages for infringement and... all profits of the infringer" resulting from the infringement of the firm's home design). To impose such a limitation upon the damages recoverable under § 504 would only encourage copyright violations because the infringer would never be liable for more than the copyright holder's licensing fee. Defendants' motion for summary judgment on the issue of damages is, therefore, denied.
Also before the court is Allora's motion for partial summary judgment on the issue
Allora has made a prima facie showing that it owns a valid copyright in The Allora Triplex design, see supra at 377-78, and the court finds that CBJC has failed to present sufficient evidence to rebut the presumption of validity as to this particular copyright. Thus, the question here is whether plaintiffs have shown, as a matter of law, that CBJC copied the Allora design without plaintiffs' authorization.
A plaintiff may prove copying by direct or circumstantial evidence. Where direct evidence of copying exists, "a defendant may not avoid liability by pointing out the dissimilarities between the protected work and the infringing copy." John Wieland Homes & Neighborhoods, Inc. v. Poovey, No. 3:03-CV-168-H, 2004 WL 2108675, *5 (W.D.N.C.2004). "If there [is] clear proof of actual copying by the defendants, that is the end of the [issue]." M. Kramer Mfg. Co. v. Andrews, 783 F.2d 421, 445 (4th Cir.1986). Where there is no direct evidence of copying, a plaintiff may establish a presumption of copying by demonstrating that the defendant had access to the copyrighted work and that the defendant's work is substantially similar thereto. Universal Furn. Int'l, Inc. v. Collezione Europa USA, Inc., 618 F.3d 417, 435 (4th Cir.2010).
Of course, to succeed on a copyright claim, the plaintiff must also prove the copying was not authorized. Where the copyright is subject to a nonexclusive license, the copyright holder must establish that the defendant's copying was beyond the scope of its license. Storage Tech. Corp. v. Custom Hardware Eng'g & Consulting, Inc., 421 F.3d 1307, 1315-16 (Fed.Cir.2005).
In support of its motion, Allora has presented evidence tending to establish that one of the defendants
Defendants' argument that their purchase of the CD-Rom entitled them to construct multiple buildings based on the plan is not borne out by the evidence. In fact, it is refuted by the express language of the licensing agreement, which further states "[t]hat the computer disk ... is ... for the limited purposes of making modifications and producing a final set of construction documents to build this building one time" (id. ¶ 2 (emphasis added)) and that the licensee "will pay a reuse fee each time [it] want[s] to build an additional building" and will "notify Allora LLC prior to beginning construction of the building" (id. ¶ 4). Finally, the declaration of plaintiffs' copyright specialist, Jean Finley, puts to rest any notion that plaintiffs granted anyone an unlimited license to The Allora Triplex design. Ms. Finley acknowledges that for a brief period of time, "some Gardner plans ... provide[d] an `unlimited build license' upon the purchase of a CD-Rom. However, this unlimited build license never referred to the Allora plans" and did not commence until late 2007, whereas The Allora Triplex design at issue in this case was purchased in December 2004 or January 2005. (Finley Decl. dated Apr. 26, 2010 [DE # 62-4] ¶ 4.)
Allora has made out a prima facie case of copyright infringement as to The Allora Triplex design. Although CBJC may have possessed a license to use the plan for the construction of one building, the uncontroverted evidence establishes that CBJC exceeded the scope of any such license by building multiple structures based on the plan. Allora having shown there is no genuine issue of material fact as to this claim, judgment in favor of Allora is warranted as to CBJC's liability for infringement of The Allora Triplex design.
For the foregoing reasons, the court DENIES defendants' motion for summary judgment [DE # 54] and GRANTS plaintiff Allora's motion for partial summary judgment [DE # 58].