FRANCISCO A. BESOSA, District Judge.
Before the Court is United States Magistrate Judge Camille L. Velez-Rive's Report and Recommendation ("R & R") (Docket No. 364), recommending that defendant Michele Taburno-Vasarely ("Vasarely")'s motion for partial summary judgment (Docket No. 312) be granted in part and denied in part, as follows:
(Docket No. 364 at pp. 50-51.)
Defendant Vasarely and plaintiffs Luis Rojas Buscaglia ("Rojas"), Inart Corp. ("Inart"), and Inart Services, Inc. ("Inart
A district court may refer a pending dispositive motion to a magistrate judge for a report and recommendation. See 28 U.S.C. § 636(b)(1)(B); Fed.R.Civ.P. 72(b)(1). Any party may file written objections to the report and recommendation, and any party that files a timely objection is entitled to a de novo determination of those portions of the report to which specific objection is made. 28 U.S.C. § 636(b)(1); Fed.R.Civ.P. 72(b)(2)-(3). In conducting its review, the district court is free to "accept, reject, or modify, in whole or in part, the findings or recommendations made by the magistrate judge." 28 U.S.C. § 636(b)(1); accord Fed.R.Civ.P. 72(b)(3).
Defendant Vasarely raised a counterclaim alleging that plaintiffs breached a contract signed by Vasarely and plaintiff Rojas ("the 2010 Artwork Agreement") pursuant to which plaintiff Inart would sell certain artwork belonging to Vasarely. (Docket No. 35 at pp. 29-33.) Vasarely moved for summary judgment. (Docket No. 312 at pp. 9-16.)
The magistrate judge recommended that summary judgment be granted in Vasarely's favor, but found that issues of fact remain as to the amount of damages owed for plaintiffs' breach. (Docket No. 364 at pp. 31-36.) Defendant Vasarely and plaintiffs objected to the magistrate judge's recommendation and findings, (Docket No. 367 at pp. 1-6; Docket No. 387 at pp. 2-5), and responded to each other's objections, (Docket No. 390 at pp. 2-3; Docket No. 392 at pp. 3-7).
After independently examining the record, and upon consideration of the parties' arguments and objections, the Court
In 2012 and 2013, plaintiffs Rojas and Inart
Artwork Amount Amount Leyba Amount Client Paid Paid Plaintiffs Leyba ("Sale Plaintiffs Paid Vasarely Price") ("Base Price") Boo, Tekers MC, Kerhon, Egsin, Axon, $1,226,000 $1,075,000 $860,000 Moulin, & Color Print Vega (2) Koska Nagy (or Koska Neg) $420,000 $380,000 $304,000 Tri-Veg & Zebra (or Zebres) $122,000 $100,500 $63,900 Separam, Emotta, Bela, & Vega $460,500 $390,500 $312,400 Triton $448,000 $390,000 $0TOTAL $2,676,500 $2,336,000 $1,540,300
Defendant Vasarely claims that plaintiffs have not paid her in full for the artwork sold to Leyba and have thus violated clause 7 of the 2010 Artwork Agreement. (Docket No. 312 at pp. 10-12.) Clause 7 provides in part as follows:
(Def.'s Ex. 3 at ¶ 7.) Vasarely alleges three breaches of clause 7, which the Court addresses in turn.
First, defendant Vasarely claims that plaintiffs breached clause 7 of the contract by not paying her the full 80% of the "base price" for the sale of Tri-Veg and Zebra. Vasarely permitted plaintiff Rojas to deduct $16,500 from her portion of the proceeds of this sale so he could buy a diamond ring for her, but Vasarely has not received the ring. (Def.'s Ex. 15 at ¶¶ 16-20.) Plaintiffs did not rebut this argument in their opposition to defendant's motion for summary judgment. See Docket No. 333 at pp. 4-6. Nor did plaintiffs duly contest these facts in their opposing statement of material facts. See Docket No. 333-1 at ¶ 30.
Second, defendant Vasarely claims that plaintiffs breached clause 7 of the contract by not giving Vasarely 80% of the "base price" for the sale of Triton. It is uncontested that plaintiffs received $390,000 from Leyba for the sale of Triton. See Def.'s Ex. 18A-C. At the start of this
Third, defendant Vasarely claims that plaintiffs breached clause 7 of the contract by paying her 80% of the "base price" (the price Leyba paid plaintiffs) instead of 80% of the "sale price" (the price clients paid Leyba) for the Leyba sales. Defendant Vasarely accordingly seeks damages in the amount of $272,400, which is the difference between 80% of the sum of the "sale prices" ($2,141,200)
Clause 7 of the contract provides that "[p]ayments of the sale price for any Artwork under this agreement shall be made by the purchaser as follows: 80% to Vasarely or her corporation and 20% to INART." (Def.'s Ex. 3 at ¶ 7.) Vasarely argues that the term "sale price" in clause 7 should be interpreted as "the price paid by the customer at the time of the sale." (Docket No. 312 at p. 10 (emphasis added).) Because Leyba is not a customer but an art dealer who immediately resells artwork to a final customer, Vasarely argues, clause 7 entitles her to 80% of the price paid by the final customer. Id. at pp. 10-11.
The initial question of whether the term "sale price" in clause 7 is ambiguous is a question of law. See Torres Vargas v. Santiago Cummings, 149 F.3d 29, 33 (1st Cir.1998). The Court looks to Puerto Rico law for the standard for determining whether a contract term is ambiguous. See Adria Int'l Grp., Inc. v. Ferre Dev., Inc., 241 F.3d 103, 109 (1st Cir.2001). Article 1233 of the Puerto Rico Civil Code provides:
P.R. Laws Ann. tit. 31, § 3471. A contract term is "clear" when it is "`lucid enough to be understood in one sense alone, without leaving any room for doubt, controversies or difference of interpretation.'" Home Ins. Co. v. Pan Am. Grain Mfg. Co., 397 F.3d 12, 16 (1st Cir.2005) (quoting Heirs of Ramirez v. Superior Court, 81 P.R.R. 347, 351 (1959)). The terms of a contract "should be interpreted in relation to one another, giving to those that are doubtful the meaning which may appear from the consideration of all of them together." P.R. Laws Ann. tit. 31, § 3475.
The Court finds that as a matter of law, ambiguity exists as to the meaning of "sale price" in clause 7 of the 2010 Artwork Agreement. No provision of the contract contemplates involvement or collaboration with other art dealers. The term "sale price" therefore leaves room for a difference of interpretation: if plaintiffs sold artwork "to" Leyba, then the sale price would be the price Leyba paid plaintiffs; if plaintiffs sold artwork "through" Leyba, then the sale price would be the price clients ultimately paid Leyba.
The Court's analysis, however, does not end there. If a contract term in ambiguous,
As evidence of intent, defendant Vasarely submits her own affidavit in which she states as follows:
(Def.'s Ex. 16 at ¶ 13.)
In his own affidavit and during an attachment hearing before the magistrate judge, plaintiff Rojas stated that Vasarely knew "from the beginning" that Leyba would resell the artwork and make his own profit, and that Vasarely understood that an agreement was reached pursuant to which Leyba's profit would be capped at 15% of the price he sold the artwork to clients. See Docket No. 333-2 at ¶ 12; Docket No. 166 at pp. 20-23. Rojas also stated that Vasarely never claimed that her 80% should be calculated from Leyba's resale price until after the present lawsuit was filed. (Docket No. 333-2 at ¶ 12.)
Considering this evidence, the Court finds that there remains a genuine dispute as to which price the parties intended to be the basis for Vasarely's 80% profit. The Court therefore
In August 2012, plaintiff Inart Services (represented by plaintiff Rojas) sold the artwork titled Gestalt-Rugo, which belonged to defendant Vasarely, to Horacio Campolieto ("Campolieto") pursuant to an installment agreement. (Def.'s Ex. 35.) The installment agreement set the sale price at $390,000, which Campolieto would pay as follows: (1) $60,000 down payment, (2) transfer of a car valued at $60,000, (3) conveyance of an artwork by Melvin Martinez valued at $20,000, and (4) twenty-five monthly payments of $10,000. Id.
Defendant Vasarely claims that plaintiffs breached the 2010 Artwork Agreement by not paying her the full 80% of the sale price of Gestalt-Rugo. There is no genuine dispute that Vasarely was to receive 80% of the sale price of Gestalt-Rugo and that plaintiffs were to earn 20% of the sale price as commission. See Def.'s Ex. 1, pp. 291-93 (plaintiff Rojas's deposition in which he states that 80% of the Gestalt-Rugo sale corresponds to Vasarely); Docket No. 2 at p. 9 (plaintiff Rojas's complaint in which he states that plaintiffs would receive 20% commission on the sale of Gestalt-Rugo). Thus, plaintiffs were to receive $78,000 in commission.
Thus, there is no dispute that plaintiff Rojas has kept at least $90,000 in commission from the Gestalt-Rugo sale,
In an email to Rojas dated April 7, 2013, defendant Vasarely aired her personal and professional grievances with Rojas and stated: "I no longer want to work with you, you don't do anything, other than abuse me and take away my fortune by Force [sic]." (Def.'s Ex. 45.) In subsequent emails sent to Rojas in May and July 2013, Vasarely requested that Rojas return all of Vasarely's artwork in his possession. See Def.'s Exs. 47-49. Nonetheless, Rojas did not return her artwork until February 7, 2014, when he did so pursuant to a Court order. See Docket No. 118. Rojas still keeps in his possession an artwork titled La Bergere, which he states was loaned to him by Vasarely before they signed the 2010 Artwork Agreement. (Def.'s Ex. 17 at p. 548.)
Defendant Vasarely now claims that her statement "I no longer want to work with you" in the April 7th email constituted her notice of termination of the 2010 Artwork Agreement. (Docket No. 312 at p. 14.) Vasarely claims that Rojas breached clause 12 of the 2010 Artwork Agreement by not returning her artwork upon the
Clause 11 of the 2010 Artwork Agreement provides that the agreement can be terminated for reasonable cause or for breach of contract with eight days' notice. (Def.'s Ex. 3 at ¶ 11.) Clause 12 provides that upon termination of the agreement, Inart "shall return all the artworks to Vasarely by depositing them in a storage facility to be designated by Vasarely," and if the artworks have not been returned within forty-eight hours of Vasarely making available a suitable storage facility, Inart "shall be fined" $1,000 per day, payable to Vasarely. Id. at ¶ 12.
The 2010 Artwork Agreement does not prescribe how notice of termination is to be provided. Nor does either party suggest that Puerto Rico contract law has a standard for sufficiency of notice. Generally, however, "notice must be clear, definite, explicit, and unambiguous." Jasty v. Wright Med. Tech., Inc., 528 F.3d 28, 36 (1st Cir.2008) (internal quotation marks and citation omitted). Here, a reasonable factfinder could find that the statement "I no longer want to work with you" in the April 7th email to Rojas failed to give plaintiffs notice that Vasarely was terminating the 2010 Artwork Agreement, especially because the email never mentions the agreement or Inart, and because the email primarily concerns personal matters. There is therefore a genuine dispute on this counterclaim, and defendant Vasarely has not met her summary judgment burden. See Daniels v. Agin, 736 F.3d 70, 78 (1st Cir.2013) ("A dispute is genuine if a reasonable factfinder `could resolve the point in favor of the non-moving party.'" (quoting Johnson v. Univ. of P.R., 714 F.3d 48, 52 (1st Cir.2013))). The Court thus
In Count I of their complaint, plaintiffs raised a breach of contract claim alleging that defendant Vasarely breached the 2010 Artwork Agreement. (Docket No. 2 at pp. 6-8.) Vasarely moved for summary judgment on this claim, arguing in a single paragraph that pursuant to article 1077 of the Puerto Rico Civil Code, she is excused from performance under the agreement because plaintiffs materially breached the agreement. See Docket No. 312 at pp. 16-17. The magistrate judge did not make a specific recommendation on this part of defendant's motion.
Article 1077 of the Puerto Rico Civil Code provides in relevant part:
P.R. Laws Ann. tit. 31 § 3052. Not every breach of a contractual obligation gives rise to the right to rescind the contract pursuant to article 1077. Dopp v. HTP Corp., 947 F.2d 506, 510 (1st Cir.1991). The unfulfilled obligation must have been "essential" to the agreement and "reciprocal in nature." Dopp v. Pritzker, 38 F.3d 1239, 1243-44 (1st Cir.1994).
Here, in arguing that she is entitled to recision of the 2010 Artwork Agreement, defendant Vasarely posits that because plaintiffs "substantially breached the Agreement, they cannot demand [that] Vasarely complies with it." (Docket No. 312 at p. 16.) Vasarely then cites to article 1077 and an assortment of cases, but presents no analysis as to how or why article 1077 applies to plaintiffs' contractual obligations. See Docket No. 312 at pp. 16-17. Vasarely does not explain how plaintiffs' unfulfilled obligations are essential to the agreement or reciprocal in nature. More importantly, the parties in this litigation allege numerous breaches in the complaint and counterclaim, yet Vasarely fails to specify and present evidence as to who breached first.
Because defendant Vasarely has merely "mention[ed] a possible argument in the most skeletal way, leaving the court to do counsel's work, create the ossature for the argument, and put flesh on its bones," see United States v. Zannino, 895 F.2d 1, 17 (1st Cir.1990), the Court
In Counts II and III of their complaint, plaintiffs raised two tortious interference claims alleging that defendant Vasarely interfered with plaintiffs' sales agreements with Campolieto and Leyba. (Docket No. 2 at pp. 8-13.) Vasarely moved for summary judgment on these claims. (Docket No. 312 at pp. 17-20.) The magistrate judge recommended that summary judgment be granted in defendant Vasarely's favor. (Docket No. 364 at pp. 36-41.) She also recommended that the tortious interference claim concerning Leyba be dismissed, but found that issues of fact remain as to the amount of money due concerning the Campolieto sale. Id.
Plaintiffs did not object to the magistrate judge's findings or recommendations on these two claims. See Docket No. 387. Plaintiffs have thus waived their right to district court review, and the Court assumes that plaintiffs agree with the magistrate judge's recommendations. See Davet v. Maccarone, 973 F.2d 22, 31 (1st Cir.1992) ("Failure to raise objections to the Report and Recommendation waives the party's right to review in the district court."); Templeman v. Chris Craft Corp., 770 F.2d 245, 247 (1st Cir.1985) ("Absent objection by the plaintiffs, the district court had a right to assume that plaintiffs agreed to the magistrate's recommendation.").
After an independent review, the Court
The Court
In Count IV of their complaint, plaintiffs alleged that defendant Vasarely breached clause 8 of the 2010 Artwork Agreement by not surrendering certificates of authenticity for six artworks sold to Leyba: Triton, Kerhon, Tri-Veg, Separam, Emotta, and Bela-IBV. (Docket No. 2 at pp. 13-15.) Plaintiffs requested injunctive relief ordering Vasarely to surrender the six certificates. Id. Plaintiffs also sought $50,000 for the alleged damage to their commercial reputation that resulted from Vasarely's failure to deliver the certificates. Id.
Vasarely moved for summary judgment on this claim. (Docket No. 312 at pp. 20-22.) The magistrate judge recommended that the motion for summary judgment be denied because, although Vasarely has already delivered the certificates, issues of fact remain regarding plaintiffs' claim that they suffered damages from Vasarely's delay in issuing the certificates. (Docket No. 364 at pp. 41-43.) Vasarely objected to the magistrate judge's recommendation. (Docket No. 367 at pp. 6-7.)
Vasarely's objections are two-fold. First, she argues that "she was (and still is) under no legal obligation to issue the certificates" because "she has not received any moneys from the sale of Triton." (Docket No. 367 at pp. 6-7.) Pursuant to clause 8 of the 2010 Artwork Agreement, Vasarely is required to deliver the certificate of authenticity for an artwork immediately after receiving her full portion of the sale price. (Def.'s Ex. 3 at ¶ 8.) Thus, Vasarely is correct in that she was not contractually required to deliver the Triton certificate because she has not received payment in full for that artwork's sale. This does not affect the other five artworks, however, and issues of fact remain as to whether she has received payment in full for the sales of those pieces. See supra Part II.A.1.
Vasarely's second argument is that "there was just cause for her apparent delay in submitting the certificates; she could not complete them because she did not have the necessary information." (Docket No. 367 at p. 7.) Even if Vasarely did not have the necessary information to complete the certificates, she does not provide evidence that she diligently sought the information after receiving payment for the artwork in 2012. Thus, her second argument is unavailing.
The Court therefore
In Count V of their complaint, plaintiffs raised claims of defamation and damage to plaintiffs' commercial reputation. (Docket No. 2 at pp. 15-16.) Defendant Vasarely moved for summary judgment on these claims. (Docket No. 312 at pp. 22-24.) The magistrate judge recommended that summary judgment be denied (Docket No. 364 at pp. 43-44), and plaintiffs objected to this recommendation (Docket No. 367 at pp. 7-8).
Pursuant to Puerto Rico law, "a private plaintiff asserting a defamation claim against a private defendant must
As to the third element, Vasarely argues that it was Rojas "who self-inflicted any existing damages by bringing Mr. Leyba into his personal situation with Vasarely." (Docket No. 312 at p. 23.) This argument is merely conjecture, devoid of evidentiary support. Thus, Vasarely has failed to prove that there is no genuine dispute concerning plaintiffs' claims of defamation and commercial reputation damage.
The Court therefore
In Count VI of their complaint, plaintiffs alleged that defendant Vasarely breached an employment agreement. (Docket No. 2 at pp. 17-18.) Vasarely moved for summary judgment. (Docket No. 312 at pp. 24-26.)
The magistrate judge recommended that summary judgment be granted in defendant Vasarely's favor and that the claim be dismissed. (Docket No. 364 at pp. 44-45.) Plaintiffs objected to the magistrate judge's recommendation, arguing without any evidentiary support that "there is no doubt" that Inart Services "complied with its part [of the employment agreement]" and that Vasarely "failed to perform her part of the deal." (Docket No. 387 at pp. 5-6.) Plaintiffs admitted in their opposing statement of uncontested facts, however, that no employment agreement existed. See Docket No. 308 at ¶ 126; Docket No. 333-1 at ¶ 126. Without a contract, there can be no breach.
The Court therefore
Defendant Vasarely raised a counterclaim alleging that plaintiff Rojas breached a contract regarding the sale of real property at 312 May Street, Unit 102, Chicago, Illinois, ("the Chicago studio"). (Docket No. 35 at pp. 36-37.) Vasarely moved for summary judgment. (Docket No. 312 at pp. 26-28.)
The magistrate judge recommended that summary judgment be granted in Vasarely's favor. (Docket No. 364 at p. 45.) As for damages, the magistrate judge found no genuine dispute that Rojas owes Vasarely:
After independently examining the record, and absent specific objection by the parties, the Court
Plaintiffs did not raise any specific objection to the magistrate judge's recommendation. See Docket No. 387. Defendant Vasarely objected, arguing that it is undisputed that Vasarely is owed an additional $1,000 per an express contractual stipulation and an additional $27,172.34 for the 2007-2008 real estate taxes. (Docket No. 367 at pp. 8-9.) Plaintiffs did not respond to these arguments in their opposition to defendant Vasarely's objections. See Docket No. 390.
Both of Vasarely's objections have merit. Clause 3 of the contract provides that Rojas "shall pay" defendant Vasarely "for the real estate taxes paid by [Vasarely] in relation to the Studio for or during years 2007 and 2008 plus $1,000.00." (Def.'s Ex. 72 at ¶ 3.) First, it is undisputed that plaintiff Rojas owes defendant Vasarely the $1,000 stipulated in clause 3. The magistrate judge mistakenly excluded this undisputed amount from the damages calculation. The Court therefore
Second, it is undisputed that Vasarely made five payments, summarized in the table below, for real estate taxes on the Chicago studio.
No. Date of Payment Tax Year Amount Paid 1 February 25, 2007 2006 $6,419.772 November 30, 2007 2006 $4,938.023 March 4, 2008 2007 $5,678.904 November 3, 2008 2007 $10,135.655 June 24, 2009 2007 $18,403.67
The contract provided that Rojas would reimburse Vasarely for real estate payments she made "for or during years 2007 and 2008." (Def.'s Ex. 72 at ¶ 3 (emphasis added).) Vasarely made the first two payments "during" 2007, and she made the last three payments "for" tax year 2007. See Def.'s Ex. 76. Thus, the plain language of the contract indicates that the parties intended for Rojas to reimburse Vasarely for all five payments.
This intent is further evidenced by Rojas's statements during his deposition. Rojas stated that he agreed to reimburse Vasarely for the "two years of taxes" that she paid. (Docket No. 17 at p. 780.) The five payments were for two years of taxes: the first two payments were for 2006 taxes and the second three payments were for 2007 taxes. See Def.'s Ex. 76. Plaintiff Rojas also acknowledged in his deposition that billing for real estate taxes in Chicago is "very confusing" because the bills "never
Finally, it appears that Vasarely made a double payment for 2007 taxes. That is, she made two installment payments in 2008 for 2007 taxes, but then upon receipt of a bill in 2009 that indicated that $18,403.67 was due on 2007 taxes, she paid that amount. (Def.'s Ex. 76 at pp. 3-4.) Plaintiff Rojas acknowledged this, stating in his deposition that he believed a "double payment" had been made, which he had "been trying to recuperate." (Def.'s Ex. 17 at p. 776.) This is of no consequence. Plaintiff Rojas agreed to pay Vasarely for the payments she made for tax year 2007, and Vasarely made three payments for tax year 2007, so Rojas is liable for reimbursing all three payments.
The Court accordingly
For the reasons explained above, the Court
Defendant Vasarely raised a counterclaim alleging that plaintiff Rojas breached an agreement regarding the sale of real property at 910 S. Michigan Street, Unit 1904, Chicago, Illinois, ("the Chicago condo"). (Docket No. 35 at pp. 37-38.) Vasarely moved for summary judgment. (Docket No. 312 at pp. 28-31.)
The magistrate judge recommended that summary judgment be granted in defendant Vasarely's favor and that the "release of memorandum of note" dated April 8, 2013, be declared null and void. (Docket No. 364 at pp. 48-50.) As for damages, the magistrate judge found no genuine dispute that plaintiff Rojas owes defendant Vasarely for two deductions from the sale proceeds: (1) $27,000 paid to the condo neighbors for water damage; and (2) $18,000 put into an escrow account. Id. at p. 48. The magistrate found that issues of fact remain regarding whether Vasarely is owed an additional amount for allegedly underselling the Chicago condo. Id. at pp. 49-50.
After independently examining the record, and absent specific objection by the parties, the Court
Defendant Vasarely raised two objections to the magistrate judge's recommendation. First, she argued that there is no dispute that plaintiff Rojas owes Vasarely an additional $1,000 for the refund Rojas received from the estimate of tax redemption. The settlement statement for the sale of the Chicago condo reflects that $46,716.28 was deducted from the condo sale proceeds for the estimate of tax redemption. (Def.'s Ex. 84 at line 1307.) Rojas later received back $1,000 from this deduction. (Def.'s Exs. 83A-B.) Pursuant to the promissory note, the $1,000 constitutes part of the sale's net proceeds and is therefore owed to Vasarely. Although the magistrate judge made factual findings on this issue, (Docket No. 364 at p. 29, ¶ 144), she did not address it in her analysis and recommendation. The Court therefore
Second, Vasarely argued that Rojas's sale of the Chicago condo without obtaining an appraisal constitutes negligence per se and that it is undisputed that she is owed $335,000 for the loss resulting from Rojas's sale of the property for less than it was worth. (Docket No. 367 at pp. 9-10.) Vasarely adds the condo's 2004 purchase price ($1,160,000) to the approximate value of the condo's renovations ($250,000) to arrive at $1,410,000 — the amount she concludes was the condo's value when it was sold in 2013. See Docket No. 312 at pp. 28-31. Vasarely claims that by selling the condo for $1,075,000, Rojas negligently and in bad faith sold it for $335,000 less than it was worth. See id. This evidence leaves a genuine dispute as to whether Rojas sold the Chicago condo for less than it was worth because the value of a piece of real estate is not necessarily equal to its purchase price from a decade prior plus the value of its renovations. Other factors can affect a property's value. Defendant Vasarely has thus not met her summary judgment burden. The Court therefore
For the reasons explained above, the Court
After due consideration, the Court
The Court
There being no just reason for delay, partial judgment shall be entered accordingly.