1980 U.S. Tax Ct. LEXIS 18">*18
Besides its many undisputedly educational and charitable activities, petitioner operates two art galleries which exhibit and sell artworks. In order to insure artistic quality and integrity, the artworks displayed are selected by jury procedures and often represent the artist's more daring works. None of the artists whose works have been exhibited is on petitioner's board of directors or is an officer of petitioner; however, 2 of the over 100 artists who have had their work displayed are members of petitioner. Approximately 80 percent of the sales proceeds are paid to the artists; petitioner retains the remaining approximately 20 percent in order to defray its expenses in connection with the galleries.
75 T.C. 337">*338 OPINION
Respondent determined that petitioner is not exempt from Federal income tax under
1980 U.S. Tax Ct. LEXIS 18">*21 The issue 3 for our determination is whether petitioner is operated exclusively for one or more exempt purposes delineated in
This case was submitted on a stipulated administrative record under
Petitioner, a nonprofit North Carolina corporation incorporated on May 24, 1971, has its principal office in Goldsboro, N.C. On November 20, 1978, the District Director of Internal Revenue, Atlanta, EP/EO Service Unit, received petitioner's application for recognition of exemption.
On October 26, 1979, respondent issued to petitioner a final adverse ruling letter which denied petitioner tax-exempt status for1980 U.S. Tax Ct. LEXIS 18">*22 the following reasons: "You are not operated exclusively for any exempt purpose within the meaning of
Petitioner's charter states that it is organized for the following purposes:
75 T.C. 337">*339 to promote the appreciation of and participation in the visual arts; to promote and encourage the expression of creativity through the creative arts; to promote education in the fine arts; to sponsor a creative arts center to provide a facility for instruction, creation and display of paintings, statuary and objects of creative arts; but the corporation shall not pursue any purpose or carry on any activity inconsistent with
Petitioner has 12 board members whose professional backgrounds include careers in business, law, education, art, and religion. The president of petitioner, for 1978-79, has a master of divinity degree from Duke University and is Director of Continuing Education at Wayne Community College. Petitioner's vice president1980 U.S. Tax Ct. LEXIS 18">*23 is an attorney; its secretary, an interior designer; and its treasurer, an accountant.
Petitioner is the hub of many art activities in Wayne County and is known throughout the State for the quality of its programs. There are no other art museums, galleries, or similar facilities of significant note available within Wayne, or any contiguous, county.
Petitioner operates the Goldsboro Art Center (hereinafter center) which furnishes various educational and charitable services to the community. Specifically, the Center sponsors art classes in conjunction with Wayne Community College (hereinafter college), in such areas as watercolor, oil, and acrylic painting; pottery; interior design; macrame and weaving. The center offers an average of 20 to 25 classes quarterly for approximately 250 students. In addition, on its own, petitioner offers courses for children in pottery, drawing, discovering art, puppetry, creative stitchery, and painting.
The center sponsors art demonstrations, including one at the Wayne County Agricultural Fair each year, and workshops in, for example, Japanese watercolor techniques and Ink Resist (wash techniques). In conjunction with the college and the North1980 U.S. Tax Ct. LEXIS 18">*24 Carolina Art Society, the center sponsors film series, including the 13-part "Civilization" series narrated by Sir Kenneth Clark.
Petitioner owns 52 pieces of art as a permanent collection 4 which it displays in various public buildings throughout Wayne County, including the college, Wayne Memorial Hospital, the 75 T.C. 337">*340 Wayne County administration building, the Goldsboro City Hall Annex, the Goldsboro fire and police complex, the Wayne County revenue building, city parks and recreation, and the Wayne County Public Library. The artwork is hung and maintained by members of petitioner. Local Scout troops, school groups, clubs, and other interested persons are given tours of the center, and an estimate of over 400 people are involved in the center's activities each week.
1980 U.S. Tax Ct. LEXIS 18">*25 The director of the center gives a series of lectures on art of the Goldsboro High School humanities classes and speaks to both elementary and secondary Goldsboro and Wayne County public school classes. The director of the center also participates in Wayne County and Goldsboro school system's "career day" each year. Likewise, petitioner conducts art oriented workshops for teachers in Goldsboro and Wayne County and public exhibits of the artwork of Goldsboro and Wayne County public school children. Petitioner offers the Goldsboro Camera Club space for a darkroom. Petitioner organizes bus tours to the North Carolina Museum of Art in Raleigh. Petitioner also sponsors tours to the two local State-supported mental institutions.
Petitioner has some paid employees, but it relies heavily on volunteer help. It also hires some of its staff through the Youth Improvement Program, CETA, the Retired Senior Volunteer Program, and the Community College Work Study Program.
Besides these activities, petitioner operates two public galleries, the Art Market and the Art Gallery. All artworks in these galleries are selected by jury procedures to insure artistic quality and integrity. The Art1980 U.S. Tax Ct. LEXIS 18">*26 Market and the Art Gallery are similar in that they both exhibit and sell artwork except that the former invites displays from numerous artists, while the latter only features one artist each month. The Art Market has paintings, drawings, sculpture, etchings, serigraphs, lithographs, weavings, pottery, and mobiles. These galleries often exhibit an artist's more daring work.
Petitioner's sales are made pursuant to a mutual understanding between petitioner and the artist without a written contract specifying the terms of sales. Petitioner collects any sales proceeds and turns over that money, less approximately 20-percent commission for estimated expenses, to the artist. In the fiscal year ended June 30, 1976, gross receipts from the sales in the Art Gallery and Art Market were, respectively, $ 5,624.50 and 75 T.C. 337">*341 $ 3,662.33. After subtracting the amounts paid to artists, however, petitioner's receipts were, respectively, $ 1,005.14 and $ 398.34. 5 In the fiscal year ended June 30, 1977, gross receipts from the Art Gallery and Art Market were, respectively, $ 5,984 and $ 3,309; deducting the amounts paid to artists, petitioner received, respectively, $ 1,147 and $ 860. 61980 U.S. Tax Ct. LEXIS 18">*27 In the fiscal year ended June 30, 1978, gross receipts from the Art Gallery and Art Market were, respectively, $ 6,281.86 and $ 5,106.19; reducing these amounts by the amounts paid to the artists, petitioner received, respectively, $ 1,204.55 and $ 849.53. 7
1980 U.S. Tax Ct. LEXIS 18">*28 Petitioner lists as its expenses associated with the Art Gallery and Art Market for the fiscal year ended June 30, 1976, respectively, $ 497.30 and $ 38.35 and, therefore, shows profits of $ 507.84 and $ 359.99, respectively, for that year. Similarly, in the 1977 fiscal year, petitioner's books show expenses relating to the Art Gallery to be $ 611 and to the Art Market, $ 184; subtracting these expenses, petitioner's books show, respectively, profits of $ 536 and $ 676. In the fiscal year ended June 30, 1978, petitioner's Art Gallery expenses are indicated to be $ 553.48 and its Art Market expenses shown as $ 112.42; petitioner's profits for that year, therefore, are $ 651.07 and $ 737.11. However, petitioner's books appear only to include as expenses those costs covering supplies, invitations, and receptions relating to these galleries. Petitioner's books do not show what proportion of rent, utilities, insurance, etc., paid by petitioner to maintain the center, is attributable to the maintenance of the two galleries. In order to maintain the center, petitioner paid a total of $ 9,700.95 for the fiscal year 1976, $ 9,826 for the fiscal year 1977, and $ 10,369.83 for the fiscal1980 U.S. Tax Ct. LEXIS 18">*29 year 1978. The center houses three classrooms in 75 T.C. 337">*342 addition to the two galleries, but these total expenses must in some part be connected with the Art Gallery and Art Market.
Petitioner's total revenues from all sources in these years were, respectively, approximately $ 47,109, $ 47,440, and $ 57,289.
Various classes of membership in petitioner are entitled to a 2- to 10-percent discount in sales prices of artworks in the two galleries. Two of petitioner's members are among the more than 100 artists who have exhibited their art in the galleries.
Petitioner contends that it is operated exclusively for exempt purposes, that the sale of artwork in its galleries is an incidental activity but one which helps it pursue its exempt purposes, that petitioner is not operated in furtherance of a substantial commercial purpose, and that the primary purpose of the sales, as well as petitioner's other activities, is to further the public's appreciation of art and not to serve private interests.
Respondent, by contrast, argues that since petitioner's activities are indistinguishable from activities required in operating a commercial art gallery for profit, petitioner is operated for1980 U.S. Tax Ct. LEXIS 18">*30 a substantial commercial purpose; therefore, respondent asserts, under
Respondent's final ruling letter denied petitioner exempt status on the grounds that it is not operated exclusively for any exempt purpose, that it is operated in furtherance of a substantial commercial purpose, and that it serves private rather than public interests. Petitioner has the burden of proof to show that respondent's determination is wrong.
We find that petitioner has sustained its burden and is exempt from Federal taxation under
In order to be exempt under
The operational test requires an organization's activities to be primarily those which accomplish one or more exempt purposes as specified in
Included among the exempt purposes are "educational" and "charitable" purposes.
(
(
We disagree with respondent's conclusions and find that the evidence presented here confirms, as petitioner suggests, that the purpose of the Art Gallery and Art Market is primarily to foster community awareness and appreciation of contemporary artists and to provide a constant flow of art for students to study art and painting techniques.
Among the factors we consider in determining whether an organization is operated to further a substantial commercial purpose are the particular manner in which an organization's activities are conducted, the commercial hue of these activities, and the existence and amount of profit from these activities.
In the instant case, since there are no other art museums or galleries in the area, petitioner has found difficulty attracting artists to exhibit their work without1980 U.S. Tax Ct. LEXIS 18">*35 the incentive of the Art Gallery and Art Market. 8 Petitioner has a jury to select which works will be displayed, and we find it significant that the works are chosen not for their salability but for their representation of modern trends. Exhibiting an artist's more daring works in a part of the country where there are no nearby art museums or galleries illustrates that petitioner's purpose is primarily to educate rather than to sell.
Moreover, petitioner's activities with respect to the Art Market and Art Gallery must be viewed in connection with petitioner's other activities. The clear impression that we get from the record is one of petitioner's dedication to teach the public, through a variety of means, to appreciate art. We find 75 T.C. 337">*345 that petitioner's sales ativities are1980 U.S. Tax Ct. LEXIS 18">*36 incidental to its other activities and serve the same overall objective of art education. This is not a case where the other activities are adjunct to petitioner's sales, but, rather, where petitioner's sales activities are secondary and incidental to furthering its exempt purpose. See
We are convinced, moreover, that petitioner is not operating these galleries for a profit. Petitioner retains only approximately 20 percent of the gross receipts from the sales and uses this amount to defray its expenses. A review of petitioner's books for 3 years shows that petitioner has either made no profit or, at most, a negligible one, for these years.
Finally, we reject respondent's contention that petitioner is operated for1980 U.S. Tax Ct. LEXIS 18">*37 the private benefit of individuals. 91980 U.S. Tax Ct. LEXIS 18">*38 Firstly, we find that petitioner's purpose in operating these two galleries is art education for the benefit of the public. Secondly, the private benefit prohibited under
Because petitioner is organized and operated exclusively for an exempt purpose, is not operated in furtherance of a substantial commercial purpose, and serves public rather than private interests, petitioner is entitled to exemption from Federal taxation under
1. Unless otherwise stated, all statutory references are to the Internal Revenue Code of 1954 as amended.↩
2. Petitioner is the organization whose qualification is at issue, sec. 7428(b)(1); petitioner exhausted its administrative remedies, sec. 7428(b)(2); and petitioner filed its petition before the 91st day after respondent mailed his determination, sec. 7428(b)(3).↩
3. Petitioner, in its reply brief, has conceded that if we rule in its favor, it is only entitled to exemption prospectively from Nov. 20, 1978, the date petitioner's application was received by respondent.↩
4. On petitioner's books, these works are valued at $ 614.70, but most were donated by the artists themselves and are, therefore, valued at cost and at significantly less than their fair market value. Petitioner estimates their market value to be more than $ 30,000.↩
5. Eighty percent of the sales receipts would be $ 4,499.60, instead of the $ 4,619.36 actually paid to the Art Gallery artists, and $ 2,929.86, instead of the $ 3,263.99 actually paid to the Art Market artists. Petitioner's payments to artists were actually, respectively, approximately 82 percent and 89 percent of the sales. There is no explanation in the record for these discrepancies.↩
6. Instead of paying 80 percent, or $ 4,787.20, to Art Gallery artists, petitioner actually paid approximately 81 percent, or $ 4,837, and, instead of paying 80 percent, or $ 2,647.20, to Art Market artists, petitioner actually paid approximately 74 percent, or $ 2,449. There is no explanation in the record for these discrepancies.↩
7. Instead of paying 80 percent, or $ 5,025.49, to Art Gallery artists, petitioner paid approximately 81 percent, or $ 5,077.31; and, instead of paying 80 percent or $ 4,084.95 to Art Market artists, petitioner paid approximately 83 percent, or $ 4,256.66. Again, we find no explanation for these discrepancies.↩
8. That there may be other possible means of attracting artists to exhibit their work is not, as respondent suggests, determinative. It is sufficient that we find that petitioner's purpose in these activities is an exempt one.↩
9. In support of its position, among other references, respondent cites two revenue rulings,
10. The prohibitions against private inurement and private purposes encompass many of the same elements. See