1985 U.S. Tax Ct. LEXIS 56">*56
P rented films to the general public. P acquired a film for rental in the United States that was or may have been shown in Mexico.
P also compiled for rental, reels of film composed of individual film segments previously exhibited publicly, although in a different format. The segments (cartoons and short subjects, musical variety entertainment, and other footage) were spliced together and compiled and distributed as packages.
P acquired footage of Spanish bullfights which it edited into a 30-minute film entitled, "Bullfights from Spain." P also acquired, edited, and distributed under various titles several films of live Beatles concerts. None of these films had been previously distributed.
85 T.C. 114">*115 Respondent determined deficiencies of $ 5,949 in petitioner's Federal income taxes for 1985 U.S. Tax Ct. LEXIS 56">*58 the taxable year ended April 30, 1977, and of $ 9,240 for the taxable year ended April 30, 1978.
After concessions by both parties, the issue for decision is whether petitioner is entitled to claim the investment tax credit under
(1) Whether the films constitute "new
(2) Whether the films are "qualified films"; that is, whether they were created "primarily for use as public entertainment or for educational purposes," and do not have markets that are "primarily topical" or "otherwise essentially transitory in nature"; and
(3) Whether, at best, petitioner is entitled to only two-thirds of the claimed credit because it failed to make a proper election under
1985 U.S. Tax Ct. LEXIS 56">*59 FINDINGS OF FACT
The parties submitted a detailed stipulation of facts, and those facts are so found. The stipulation of facts and attached exhibits are incorporated by this reference.
Budget Films, Inc., is a corporation organized under the laws of California. Its principal place of business was in Los Angeles, California, when the petition was filed in this case. Petitioner timely filed Federal corporate income tax returns for the taxable years ended April 30, 1977, and April 30, 1978.
Petitioner was in the business of renting films to the general public during the years in issue. Its customers included individuals, colleges, religious institutions, shipping lines, movie studios, and production companies. The customers 85 T.C. 114">*116 usually ordered films through Budget Films catalogs. Budget Films generally prohibited its customers from renting films for "theatrical" purposes; that is, the customers were not generally entitled to charge admission to audiences, and they were not permitted to show the films on television.
Budget Films spent $ 57,878 in the taxable year ended April 30, 1977, and $ 86,050 in the taxable year ended April 30, 1978, in order to acquire prints and negatives1985 U.S. Tax Ct. LEXIS 56">*60 of films. Approximately $ 35,885 of the $ 57,878 paid by petitioner for film prints and negatives during the taxable year ended April 30, 1977, was paid for prints of films that had been shown to the public before petitioner acquired them. Likewise, approximately $ 36,544 of the $ 86,050 petitioner paid to acquire film prints and negatives during the taxable year ended April 30, 1978, was paid for prints of films that had been shown to the public before petitioner acquired them.
The following films were new and had not been released to the public in any format before petitioner acquired them and placed them in service: "The End," "Story Theatre No. 7," "Story Theatre No. 11," "Story Theatre No. 15," "Story Theatre No. 19," "Story Theatre No. 23," "Marvin," and "Spaghetti Western." "The End" and the "Story Theatre" group of films were acquired for $ 4,080 in the taxable year ended April 30, 1977. "Marvin" and "Spaghetti Western" were acquired for $ 2,300 in the taxable year ended April 30, 1978. Petitioner asserts that it is entitled to claim a tax credit of 10 percent of the amount it paid to acquire the films, or $ 408 for 1977, and $ 230 for 1978. Respondent asserts that only1985 U.S. Tax Ct. LEXIS 56">*61 two-thirds of these amounts, or $ 272 for 1977 and $ 153 for 1978, are allowable as tax credits.
The above films were not the only films released by Budget Films for the first time. In addition, in the taxable year ended April 30, 1977, petitioner acquired footage of Spanish bullfights which it edited into a 30-minute film entitled "Bullfights from Spain." Petitioner paid $ 2,250.98 to acquire the film, edit it, create a negative, and make prints. The footage had not been released before petitioner distributed it. Moreover, in the taxable year ended April 30, 1978, Budget Films acquired, for $ 5,121.75, several films of live Beatles concerts. Petitioner arranged to edit some of the films, and distributed them with the titles "Around the Beatles," "Beatles at Shea Stadium," 85 T.C. 114">*117 "Beatles Concert in Tokyo," and "Beatles Concert in Washington, D.C." The films were made by amateurs and had not been distributed before petitioner acquired them.
Petitioner also acquired a rare nitrate print of Rudolfo Goana, a famous Mexican bullfighter. A fee of $ 1,800 was paid to acquire the print, edit and restore it, and make a negative and prints. Although the film may have been released1985 U.S. Tax Ct. LEXIS 56">*62 in Mexico before petitioner acquired it, it was never released in the United States.
All of the films described below were composed entirely of individual segments of film that had been or may have been exhibited to the public before petitioner acquired them. Petitioner generally made longer films by connecting several of the film segments and sometimes by editing the longer film reel. The following films were composed of groups of cartoons or short subjects:
Acquisition cost | ||
Name of film | Apr. 30, 1977 | Apr. 30, 1978 |
"30 Color Cartoon Programs" | $ 3,600 | |
"Variety Programs #1-10" | 1,000 | |
"Warner Brothers Color Cartoon Programs | ||
#1-5" | 500 | |
"Mighty Mouse Color Cartoon Packages # 1-4" | 400 | |
"Terrytoon Color Cartoon Packages #1-4" | 400 | |
"Spook Spectacular Programs, Shows #1-4" | 850 | |
"30 Color Cartoon Programs" | $ 3,600 | |
"Variety Programs #11-20" | 1,000 | |
"Warner Brothers Color Cartoon Programs | ||
#6-10" | 500 | |
"Mighty Mouse Color Cartoon Packages #5-8" | 400 | |
"Terrytoon Color Cartoon Packages #5-8" | 400 | |
"Spook Spectacular Programs, Shows #7-12" | 850 | |
Total | 6,750 | 6,750 |
Petitioner arranged to splice two or three cartoon or short subjects together and distributed1985 U.S. Tax Ct. LEXIS 56">*63 them as reels of two or three, but otherwise did not edit the films in any way. The films had been released in other media, on television or in movie theaters, but they had been released individually, and not in the format in which petitioner distributed them.
The following films were acquired as individual newsreels, serials, trailers, and footage of sporting events, and were packaged by petitioner in groups. Petitioner arranged to splice 85 T.C. 114">*118 the footage together and paid for other miscellaneous editing involved in preparing the final reels. Petitioner also paid for prints which were distributed as films ranging from 10 minutes to feature length. Petitioner does not know whether the individual newsreels and other footage had been exhibited to the public prior to being assembled in their current format. They had not been released previously in the format in which petitioner released them.
Acquisition cost | ||
Name of film | Apr. 30, 1977 | Apr. 30, 1978 |
"Vintage Sports Reels #1-10" | ||
(newsreels and sports footage) | $ 1,500 | |
"Old Time News Reels #1-4, Nickelodeon | ||
Theater #1-2" (newsreels and comedy | ||
shorts) | 2,500 | |
"Purple Death, Three Musketeers, Phantom | ||
Creeps, Hurricane Express, Lost City" | ||
(serials) | $ 7,600 | |
"Camps of the Dead, Auto Racing, Dangerous | ||
Wheels and Rudders, Holocaust, In | ||
Famous [sic] Age of Crime, From Dunkirk | ||
to Hiroshima, Disasters of 30's, Terror of | ||
the Third Reich, Riots and Rebellions, | ||
Spectacular Disasters" (newsreels) | 10,500 | |
"Variety Boxing Reels # 1-10" | ||
(newsreels; sports footage) | 2,475 | |
"Crime Does Not Pay" (newsreels) | 850 | |
"World War II: A History" (newsreels) | 900 | |
"British Trailer Reel, Black Preview | ||
Trailer Reel, Elvis Trailer Reel, Movie | ||
Trailer Reels #1 and 2" (trailers) | 2,125 | |
Total | 4,000 | 24,450 |
1985 U.S. Tax Ct. LEXIS 56">*64 The following films were composed of several short subjects of musical variety entertainment, most of which had been released previously as "soundies." 2 These films were acquired 85 T.C. 114">*119 in the taxable year ended April 30, 1978, and were compiled and distributed as packages. They had not been released as packages previously.
Name of film | Acquisition cost |
"Sepia Stars on Parade, Shows #1-4" | $ 850 |
"Turn Out the Lights, Gale Storm Sings, | |
Jon and Sandra Steele Sing, Polka Dot Polka, | |
Sarah Vaughn Sings, Sepian Swing, Musical Satires" | 2,000 |
The following films, acquired during the taxable year ended April 30, 1977, were composed of parts of some very old French and American films which petitioner edited into 10- or 20-minute reels and first released in new format in the taxable year ended April 30, 1978: "Best of the Melies," "Fantastic Films," "Films by Three French Pioneers," "Early French Comedies," "Emil Cohl Films," 1985 U.S. Tax Ct. LEXIS 56">*65 "Emil Cohl-Jean Durand," "Animation No. 1," and "Moments from 'Birth of a Nation.'" The cost of purchasing the old films, having them edited, and having new negatives and prints created was $ 6,234.34. "Birth of a Nation" had been released before petitioner acquired it. Petitioner does not know whether the other films in this category had been released previously. None of the films had been released previously in the format in which petitioner released them.
In the taxable year ended April 30, 1977, petitioner acquired several 16 millimeter Charlie Chaplin "Kodascope" prints that had been distributed by Eastman Kodak in the 1930's. Petitioner arranged to splice together three 80-minute reels, each consisting of four 20-minute short subjects. The total cost was $ 4,922. The short subjects had been released before petitioner acquired them but had never been released in the format in which petitioner distributed them. Petitioner called the films "Charlie Chaplin Cavalcade," "Charlie Chaplin Festival," and "Charlie Chaplin Carnival."
The remainder of the expenditures at issue (approximately half of the total expenditures for which the investment tax credit was claimed) were made1985 U.S. Tax Ct. LEXIS 56">*66 with respect to films that had been released previously and were not altered in any way by petitioner.
85 T.C. 114">*120 OPINION
We must decide whether the investment tax credit is available for each of petitioner's films. To claim the investment credit for movie and television films pursuant to
"
(1) the construction, reconstruction, or erection of which is completed by the taxpayer after December 31, 1961, or
(2) acquired after December 31, 1961, if the original use of such property commences with the taxpayer and commences after such date.
Property is considered to have been constructed, reconstructed, or erected by the taxpayer if the work is done for him in accordance with his specifications.
85 T.C. 114">*121 We must decide whether the investment tax credit is available for four general categories of films: (1) Films that had been exhibited to the public before petitioner acquired them, and that petitioner did not alter in any way, (2) films that had never been exhibited to the public before petitioner1985 U.S. Tax Ct. LEXIS 56">*68 acquired them, (3) a film that may have been exhibited in Mexico, but was not exhibited in the United States before petitioner acquired and released it unaltered, and (4) films composed of a group of individual film segments that had been or may have been exhibited to the public previously.
The films in the first category (previously exhibited and unaltered) clearly do not constitute new
The third category consists of a film that may have been exhibited in Mexico, but had not been exhibited in the United States before petitioner acquired it. Since petitioner stipulated that it "does not know" whether the film was released in Mexico, it has not satisfied its burden of proof or its burden of coming1985 U.S. Tax Ct. LEXIS 56">*69 forward with evidence to rebut the presumption of correctness relating to the notice of deficiency. We thus must proceed on the presumption that the film had been exhibited to the public in Mexico. Rule 142(a);
Once a qualified film is placed in service in any medium of exhibition in any geographical area of the world, it becomes used property and no investment credit with respect to the film is available to a taxpayer that acquires the film after that time (except for subsequently incurred costs described in paragraph (e)(9) of this section which the taxpayer incurs). * * *
This Court recently stated in
1985 U.S. Tax Ct. LEXIS 56">*70 The fourth category consists of reels of film composed of individual film segments that had been or may have been exhibited to the public previously. 5 Respondent asserts that all of the films in this category were "acquired" by petitioner, and thus that only those films the original use of which commenced with petitioner are eligible for the credit. Petitioner maintains that the films were "reconstructed" and therefore constituted new property in its hands. We do not believe that the changes made to petitioner's films amount to a "reconstruction" of the films, and we therefore hold that these films do not constitute new
85 T.C. 114">*123 Thus, the regulations address additions, modifications, and editing changes made to adapt a film to a new medium. They specifically state that the costs of making such changes are not eligible for the investment tax credit if the changes are made in years after the films have been placed in service. We think the clear implication of the regulations is that such changes do not amount to "reconstruction" of the property.
In the case before us, petitioner has failed to prove that the nature of its modifications amounted to more than the changes dismissed as "subsequently incurred costs" in the1985 U.S. Tax Ct. LEXIS 56">*73 regulations. The stipulation states, for example, that petitioner purchased used cartoons and short subjects, "arranged to splice two or three cartoon and/or short subjects together," and distributed them as reels of two or three. Other footage was described only as having been "spliced together" and edited in some mysterious "miscellaneous" manner. Musical variety entertainment was described only as having been "compiled and distributed as packages." These modifications, without more, do not create "reconstructed" films.
Some of petitioner's films had not been released before petitioner acquired them, and therefore constitute new
any motion picture film or video tape created primarily for1985 U.S. Tax Ct. LEXIS 56">*74 use as public entertainment or for educational purposes. Such term does not include any film or tape the market for which is primarily topical or is otherwise essentially transitory in nature.
Respondent maintains that "Bullfights from Spain" and the Beatles films are films the markets for which are "primarily topical or otherwise essentially transitory in nature." This Court examined this statutory language and the pertinent regulation for the first time in
(iii)
It seems that this regulation requires us to examine the subject matter of the film at the time the film is placed in service. Timing is crucial, because a film concerning events and personalities of current interest when the film is made may no longer contain current subject matter when it is placed in service.
A film is placed in service:
when it is first exhibited or otherwise utilized before the primary audience for which the qualified film was created. Thus, a 1985 U.S. Tax Ct. LEXIS 56">*76 qualified film is placed in service when it is first publicly exhibited for entertainment purposes * * *. * * * A qualified film is not placed in service merely because it is completed and therefore in a condition or state of readiness and availability for exhibition * * *
The films at issue were placed in service sometime during or after 1977. We therefore must determine whether the subject matter of the films concerned events and personalities of current interest sometime during or after 1977. 8
1985 U.S. Tax Ct. LEXIS 56">*77 85 T.C. 114">*125 Respondent maintains that "Bullfights from Spain" is a film consisting of sporting events," and therefore is specifically disqualified by
Respondent argues that the Beatles' films are "merely [recordings] of performances or events which are primarily topical, regardless of the fact that the films may be shown repeatedly in subsequent years. They do not show the Beatles * * * as characters in a dramatization." We think that, among other things, respondent has overlooked the importance of timing on this issue. Even if it can be argued that the footage may have been disqualified as being topical at the time it was filmed, by 1977, the concerts can hardly have been called "events of current interest," or events of local or temporary interest. See note 8
Petitioner claimed an investment tax credit equal to 10 percent of the total cost it incurred in acquiring or reconstructing the films at issue. Respondent maintains that to the extent any credit is allowable, petitioner may claim only 10 percent of 66 2/3 percent of the basis of the property.
(A) In general. -- If the taxpayer makes an election under this paragraph, the applicable percentage under
The 90-percent rule, in contrast to the general rule of
The 90-percent rule is available to a taxpayer only if the taxpayer makes a proper election.
Petitioner's Federal income tax returns were admitted into evidence, and having examined them we conclude that the returns give no indication that petitioner wished to elect the application of
1. All section references are to the Internal Revenue Code of 1954, as amended and in effect during the years in issue, unless otherwise indicated, and any reference to Rules refers to the Tax Court Rules of Practice and Procedure.↩
2. A film released in "soundie" format can be viewed only by looking into a machine.↩
3.
(1) Entitlement to credit. -- (A) In general. -- A credit shall be allowable under (i) only if such film or tape is new (ii) only to the extent that the taxpayer has an ownership interest in such film or tape. (B) Qualified film defined. -- For purposes of this subsection, the term "qualified film" means any motion picture film or video tape created primarily for use as public entertainment or for educational purposes. Such term does not include any film or tape the market for which is primarily topical or is otherwise essentially transitory in nature. (C) Ownership interest. -- For purposes of this subsection, a person's "ownership interest" in a qualified film shall be determined on the basis of his proportionate share of any loss which may be incurred with respect to the production costs of such film.↩
4. Cf.
5. With respect to the stipulation that the film segments "may have been" exhibited previously, we reach the same conclusion that we reached
6. The term "medium of exhibition" is defined in the regulation to include, "for example, free television (network telecasts and television syndications) or movie theaters. The term does not include the video tape or video disc household markets."
7. "Residuals" and "participations," defined in
8. The regulation's definition of a topical film as one relating to events and personalities of current interest, comports with the commonly accepted meaning of the term "topical" as "local or designed for local application," "referring to the topics of the day or place," or "of local or temporary interest." The term "transitory" means "tending to pass away," "not persistent," or "of brief duration."
9. Sec 46(c)(2) is the general code section that prescribes the amount of investment tax credits available for eligible property.↩